Nawabzada Mirza Jamiluddin Ahmed KhanPP, HI (20 January 1925 – 23 November 2015), also known as Jamiluddin Aali or Aaliji, was a Pakistani poet, critic, playwright, essayist, columnist, and scholar.[1]
Early life and career
Nawabzada Mirza Jamiluddin Ahmad Khan was born in Delhi, India on 20 January 1925.[1] His father Amiruddin Ahmed Khan was the Nawab of Loharu and his mother Syeda Jamila Baigum was a direct descendant of Khwaja Mir Dard and was the fourth wife of Amiruddin Khan.[3][1] Aali earned a BA in Economics from Anglo Arabic College, Delhi in 1944.[1]
Jamiluddin Aali was never very clear nor comfortable answering the question as to why he drifted briefly into politics.[1]
Aali started composing poetry at an early age and wrote many books as well as songs. He wrote the song "Jeevay Jeevay Pakistan" during the 1965 Indo-Pak war which became highly popular. The song was sung by Shahnaz Begum with music arranged by Sohail Rana and was originally released on 14 August 1971 by PTV. During International Women's Year (1976), Aali wrote the song "Hum Maain, Hum Behnain, Hum Baitiyan". He wrote the song "Jo Nam Wohi Pehchan, Pakistan, Pakistan" at the request of former Pakistani President Ghulam Ishaq Khan in 1986. He also wrote the song "Mera Inam Pakistan" that was sung by Nusrat Fateh Ali Khan.[2]
Personal life
Aali married Tayyba Bano in 1944. He had three sons and two daughters.[1]
Aali became honorary secretary of the Anjuman-i Taraqqi-i Urdu (Association for the Promotion of Urdu Language) in 1962 after the death of Baba-e-Urdu Maulvi Abdul Haq and played a key role there for many years, along with Farman Fatehpuri, to ensure that the association survives and grows.[1]
Aali could also be given credit for playing a major role at the Urdu Lughat Board (Urdu Dictionary Board) when this 22-volume Urdu dictionary was being developed in Pakistan.[1]
Ballads collection
Aye Mere Dasht-e-Sukhan
Ghazlain Dohay Geet (six editions)
Jeeway Jeeway Pakistan (five editions)
La Hasil (three editions)
Nai Kiran
Couplets collection
Dohay (three editions in Urdu and one in Devnagari)
Aali showed his real potential and creativity in his dohas.[1]