The song has become a pop standard, with cover versions by dozens of artists, some of which have been minor hit singles.
Edwards' song ranked at No. 47 on the 2018 list of "The Hot 100's All-Time Top 600 Songs".[2]
"Melody in A Major"
Dawes, a Chicago bank president and amateur pianist and flautist, composed the tune in 1911[3] in a single sitting at his lakeshore home in Evanston. He played it for a friend, the violinistFrancis MacMillen, who took Dawes's sheet music to a publisher. Dawes, known for his federal appointments and a United States Senate candidacy, was surprised to find a portrait of himself in a State Street shop window with copies of the tune for sale. Dawes quipped, "I know that I will be the target of my punster friends. They will say that if all the notes in my bank are as bad as my musical ones, they are not worth the paper they were written on."[citation needed]
The tune, often dubbed "Dawes's Melody", followed him into politics, and he grew to detest hearing it wherever he appeared.[4] It was a favorite of violinist Fritz Kreisler, who used it as his closing number, and in the 1940s it was picked up by musicians such as Tommy Dorsey.[5]
In summer 1951, the songwriter Carl Sigman had an idea for a song, and Dawes's "Melody" struck him as suitable for his sentimental lyrics. Dawes had died in April of that year. It was recorded that year by Dinah Shore, Sammy Kaye and Carmen Cavallaro, but the first release was by Tommy Edwards in August.[5] Edwards's version reached No. 18 on the Billboard Records Most Played by Disk Jockeys survey dated September 15, 1951.[7] The range of the melody would have been "difficult to sing", so required rearrangement.[8] A jazz arrangement was recorded by Louis Armstrong (vocals) and arranger Gordon Jenkins, with "some of Armstrong's most honey-tinged singing". In 1956, Jenkins would produce a version with Nat King Cole along the same lines.[9]
In 1958, Edwards had only one session left on his MGM contract. Stereophonic sound recording was becoming viable and it was decided to cut a stereo version of "It's All in the Game" with a rock and roll arrangement. The single was released in July and became a hit, reaching number one for six weeks beginning September 29, 1958, making Edwards the first African-American to chart at number one on the Billboard Hot 100. It would also be the last song to hit number one on the R&B Best Seller list.[10] In November, the song hit No. 1 on the UK Singles Chart.[1] The single helped Edwards revive his career for another two years.[11]
Cliff Richard had a number two hit in the United Kingdom in 1963 and a number 25 hit on the US Hot 100 in 1964. This was Richard's only top 40 hit in the United States in the 1960s (compared to his UK tally of 43) and his last until "Devil Woman" in 1976. In Canada, it reached number one on the CHUM Chart.[17][18][19] In Israel, it also reached number one on the Kel Israel Broadcasting chart.[20]
Four Tops version
In 1970, the Four Tops had a number five hit in the United Kingdom.[21] Their version peaked at number six on the soul charts and number 24 on the Billboard Hot 100.[22]
^ abRice, Jo (1982). The Guinness Book of 500 Number One Hits (1st ed.). Enfield, Middlesex, UK: Guinness Superlatives Ltd. pp. 39–40. ISBN0-85112-250-7.
^To view Cliff Richard's "It's All in the Game" at number 1, click "It's All in the Game" on this webpage:"CHUM Charts 1963". chumtribute.com. Retrieved 30 March 2018.
