Hop premiered at Universal Studios Hollywood on March 27, 2011, and was theatrically released in the United States on April 1. It received generally negative reviews from critics. During its theatrical run, the film earned $184million at the box office, against a budget of $63 million. To date, it is the only Illumination film that combines live-action photography with animation.
Plot
On Easter Island, a young rabbit named E.B. is intended to succeed his father as the Easter Bunny. Ignoring his father's orders, E.B. runs away to Hollywood to pursue his dream of becoming a drummer. In Van Nuys, E.B. is hit by Fred O'Hare, an out-of-work, job-hopping slacker who was driving to his sister Sam's boss's house to house-sit after his parents forced him to move out. Feigning injury, E.B. persuades Fred to take him in as he recovers, but when E.B. causes trouble, Fred attempts to release him in the wilderness. However, E.B. persuades Fred to let him stay, claiming to be the Easter Bunny, whom Fred had witnessed delivering eggs as a child and became infatuated with Easter ever since.
Meanwhile, E.B.'s father sends his royal guards, the Pink Berets, to search for him and bring him back. In Hollywood, E.B. sees the Berets closing in on him and hides inside a business where Fred is having a job interview. E.B. enjoys a successful recording session with The Blind Boys of Alabama as their substitute drummer, but ruins Fred's job interview. In the process, E.B. gets a tip about a possible audition for David Hasselhoff, and after performing for him, he invites him to perform on his show.
Afterwards, Fred attends his adoptive younger sister Alex's school Easter pageant with E.B. hiding in a satchel. E.B., believing that the Pink Berets have found him due to the three bunny suit shadows on a wall and disgusted by Alex's awful rendition of "Peter Cottontail", dashes out and disrupts the show, forcing Fred to fake being a ventriloquist's act with E.B. as his dummy, and the two upstage the show singing, "I Want Candy". Both Fred's father Henry and Alex are angry about the upstaging, but Fred is inspired to be the Easter Bunny himself. Although skeptical, E.B. agrees to train him and finds that Fred has some genuine talent for it.
Meanwhile, the Easter Bunny's second-in-command Carlos the Chick plots a coup d'état against him to take over Easter. Carlos inspires the chicks to uprise the bunnies and begins training to become the "Easter Chick". The next morning, as E.B. is about to go to Hasselhoff's show, he notices the Pink Berets and prepares a decoy to fake his death, leaving Fred behind. The Berets see the decoy and, horrified that Fred has apparently killed E.B., capture him and take him to Easter Island. Fred is confronted by E.B.'s father and Carlos, who seizes control of the Easter factory, tying up E.B.'s father and placing him and Fred to be boiled alive. Meanwhile, E.B. starts to feel guilty for leaving Fred, and is convinced by Hasselhoff on his show to go back and help his friend.
E.B. races back to the factory, confronting Carlos, but is immobilized in gummy candy and tossed into the chocolate bunny carving line. E.B. survives by dodging the blades of the machine, while Fred eats through the black-licorice ropes, escaping with E.B's father. Carlos turns into a mutant chick-bunny hybrid due to the magic of the Egg of Destiny, and battles with E.B., defeating him easily due to his size. Carlos then tries to lead the Egg Sleigh out with his sidekick Phil directing, but E.B. improvises a drum session that drives Phil to uncontrollably dance to the beat and provide the wrong signals, causing the sleigh to crash and subdue Carlos. E.B. and his father reconcile, and he and Fred are crowned co-Easter bunnies. Back at home, Fred reconciles with his father and his family, and then takes off with E.B., with Carlos being forced to pull the Egg Sleigh.
In a post credits scene, Fred is seen delivering an Easter basket to a Chinese lady who appeared in a previous scene that used to chase E.B.'s father off in past years. When E.B. asked what the lady said, Fred explained in Mandarin that the reason why it is difficult to deliver Easter baskets in China is because of talking rabbits being intimidating to Chinese guests. E.B. is surprised that Fred can speak Chinese.
Hop (Original Motion Picture Soundtrack) is the complete soundtrack album for the film. The entire score was composed by award-winning composer Christopher Lennertz, who had previously composed the score for Alvin and the Chipmunks, another film directed by Tim Hill. The album was released on March 29, 2011, by Back Lot Music and Varèse Sarabande Records.
A 35th track, titled "The Pink Berets", is included in the soundtrack. Christopher Lennertz wrote the song with Ali Theodore, Bryan Spitzer, Jordan Yaeger, and Julian Michael Davis. The Deekompressors performed the song.
Hop earned $108.1million in the United States and Canada and $75.8million in other countries, for a worldwide total of $183.9million.[3] It was the 39th-highest-grossing film of 2011.[27] To date, Hop is the lowest-grossing film released by Illumination.[28]
In the United States and Canada, Hop was released on April 1, 2011.[3] It earned $11.5million on its first day. The film debuted earning $38million across 3,579 theaters.[29] Its second weekend earnings dropped by 42 percent[30] to $21.7million,[31] and followed by another $11.1million the third weekend.[32]Hop left theaters by August 19, 2011, making it the year's 25th-highest-grossing film.[33]
Critical response
Reviews for Hop were mostly negative upon release. On the review aggregator website Rotten Tomatoes, 24% of 140 critics' reviews are positive, with an average rating of 4.3/10. The website's consensus reads: "It's impressively animated, but Hop's script is so uninspired that not even James Marsden's frantic mugging can give it any bounce."[34] To date, it is Illumination's lowest-reviewed film on Rotten Tomatoes. Metacritic, which uses a weighted average, assigned the film a score of 41 out of 100, based on 23 critics, indicating "mixed or average" reviews.[35] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[30]
The subplot involving Carlos the Easter Chick was considered to be insensitive to Mexican Americans by one reviewer.[36][37] Peter Debruge of Variety called it "hilariously un-PC".[6]Philip French of The Guardian wrote: "It's a combination of the worst movies about trouble in Santa Claus's north pole toy factory and a version of Charlie and the Chocolate Factory lethally laced with sugar."[38] Also writing for The Guardian, Peter Bradshaw gave it one star out of four and called it a "soulless and depressing film, with plasticky production design."[39]