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*Holler If Ya Hear Me*
Holler If Ya Hear Me
	Broadway Playbill cover
Music	Tupac Shakur
Lyrics	Tupac Shakur
Book	Todd Kreidler
Productions	2014 Broadway

"Holler If Ya Hear Me is a jukebox musical written by Todd Kreidler featuring the rap music of Tupac Shakur.

According to Playbill, the musical is "a non-biographical story about friendship, family, revenge, change and hope. Inner city lives struggle for peace against the daily challenges they face in this entertaining and original musical".^[1]

Productions

The musical had a five-week workshop in the summer of 2013.^[1]

The musical began previews on Broadway at the Palace Theatre on June 2, 2014, and officially opened on June 19, 2014. The musical closed on July 20, 2014, after 17 previews and 38 performances. Directed by Kenny Leon, the musical staging and choreography was by Wayne Cilento.^[2]^[3]

One of the producers, Eric L. Gold, "blamed the show's closing on 'the financial burdens of Broadway". Gold also told Variety that he made a " 'rookie mistake' by underestimating the amount of capital necessary to keep the $8 million show running".

A cast album of the musical was recorded but never released.

In 2017, Director Kenny Leon launched the first regional production in Atlanta. The script was revisited with a new cast. The production premiered on September 15, 2017.^[4]

Cast

Principal roles and original Broadway cast

Sources: PlaybillVault;^[2] TheaterMania^[3]

John – Saul Williams
Vertus – Christopher Jackson
Corinne – Saycon Sengbloh
Darius – Joshua Boone
Anthony – Dyllon Burnside
Street Preacher – John Earl Jelks
Mrs. Weston – Tonya Pinkins
Griffy – Ben Thompson
Nunn – Jahi Kearse

Principal roles and regional premier cast

Sources: Kenny Leon's True Colors Theatre Company

John – Saul Williams
Corinne – D. Woods
Darius – Joshua Boone
Anthony – Dyllon Burnside
Vertus – Garrett Turner
Street Preacher – Eddie Bradley, Jr
Mrs. Weston – Theresa Hightower
Griffy – Rob Lawhon
Nunn – Jahi Kearse

Songs

Source: Internet Broadway Database^[5]

Act 1

"My Block" – John, Company
"Dopefiend's Diner" – Vertus, My Block Chorus
"Life Goes On" – Anthony, Darius, Nunn, Lemar, Reggie, My Block Chorus
"I Get Around/Keep Ya Head Up" – Darius, Reggie, Lemar, Corinne, Kamilah, My Block Chorus
"I Ain't Mad at Cha" – Vertus, John, My Block Women
"Please Wake Me When I'm Free/The Rose That Grew From Concrete" – Corinne, Kamilah
"Me Against The World" – John, Corinne
"Whatz Next" – Vertus, Darius, Anthony, Corinne, My Block Chorus
"Dear Mama" – Vertus, My Block Chorus
"Holler If Ya Hear Me" – John, Anthony, Darius, My Block Chorus

Act 2

"My Block (Reprise)" – Anthony, Darius
"Changes" – John, Griffy, Vertus, Anthony, My Block Chorus
"Resist The Temptation/Dear Mama (Reprise)" – Vertus, Mrs. Weston
"Hail Mary" – John, Darius, Anthony, Young Souljas
"Unconditional Love" – John, Corinne
"I Ain't Mad at Cha (Reprise)" – John, Street Preacher
"If I Die 2Nite" – Anthony, Darius, Reggie, Lemar, Young Souljas
"Only God Can Judge Me" – Anthony
"Thugz Mansion" – John, Vertus, Griffy
"California Love" – Reggie, Lemar, Young Souljas, My Block Women
"Ghetto Gospel" – Company

Critical response

The show had mixed reviews.^[6]

Marilyn Stasio, in her review in Variety, wrote: "The true believers won't care about such pedestrian matters as the predictable book and clumsy characterizations...The music...is terrific.... But the performers are so overly miked that the lyrics are almost unintelligible....The other major drawback is that the story told in Todd Kreidler's book isn't the story we want to hear. It's not the life of Tupac Shakur.... it's the generic tale of a thug named John...who comes out of prison determined to go straight, only to be drawn back into the violent gang culture of the neighborhood by friends who demand his undying loyalty to the clan philosophy of life-as-war."^[7]

David Rooney, writing in Billboard, noted: "Critical response to the show was lukewarm. While many reviewers appreciated the attempt to stretch the jukebox musical format in new directions, going beyond the safe parameters of Baby Boomer hits, most found the story of racism, poverty, crime, violence, community and redemption mired in plot cliches and stock characters....It was apparent from the outset that not only was the show's marketing not working, but also that producers had made a mistake in bypassing the developmental opportunities of an out-of-town tryout and the fine-tuning window of a longer preview period."^[8]