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Guarding Tess
Guarding Tess
	Theatrical release poster
Directed by	Hugh Wilson
Written by	Hugh Wilson; Peter Torokvei;
Produced by	Ned Tanen; Nancy Graham Tanen;
Starring	Shirley MacLaine; Nicolas Cage; Richard Griffiths;
Cinematography	Brian J. Reynolds
Edited by	Sidney Levin
Music by	Michael Convertino
Distributed by	TriStar Pictures
Release date	March 11, 1994;
Running time	95 minutes
Country	United States
Language	English
Budget	$20 million
Box office	$31 million

Guarding Tess is a 1994 American comedy-drama film starring Shirley MacLaine and Nicolas Cage, directed by Hugh Wilson. MacLaine plays a fictional former First Lady protected by an entourage of Secret Service agents, led by one whom she continually exasperates (Cage).

The film is set in Somersville, Ohio (in reality Parkton, Maryland^[2]) and was nominated for a Golden Globe award in 1995 (Best Performance by an Actress in a Motion Picture – Comedy/Musical: Shirley MacLaine).

Plot

Secret Service agent Doug Chesnic takes pride in his job, performing his duties with the utmost professionalism. His assignment for the last three years has been a test of his patience. Doug is in charge of a team stationed in Ohio to protect Tess Carlisle, the widow of a former U.S. president. Tess is known for her diplomatic and philanthropic work, but seems to regard Doug less as a security officer and more as a domestic servant—not unlike her chauffeur, Earl, or her nurse, Frederick.

Doug's assignment with Tess comes to an end, so he is eager to be given a more challenging assignment. Tess decides that she wants him to stay, and Doug's assignment is extended.

Doug regards it as beneath his professional dignity to perform little chores around the house or bring Tess her breakfast in bed. Tess orders him to do so, even to fetch her ball during a round of golf. When Doug defies her, Tess contacts a close friend—the current president of the United States—to express her displeasure. The annoyed President—under the impression that Doug is substandard—chastises him by phone.

The bickering between Doug and Tess continues, even in the car. While alone with Earl, Tess orders him to drive off, stranding her bodyguards. A humiliated Doug must phone the local sheriff—not for the first time—to be on the lookout for her. He fires Earl when they return, but Tess countermands that decision.

After returning from a hospital checkup, Tess is excited to learn that her son Barry is coming for a visit. Later, she is disappointed, as her son has come only to ask her to help promote his real estate business ventures. She refuses because in her mind, it would hurt her and her husband's legacy if the venture is questionable. Tess watches old television footage of her husband's funeral, concentrating on a momentary glimpse of Doug among the mourners, overcome with grief. She makes an effort to get on his good side, sharing a drink and a late-night conversation. She explains that she is not close to her children, in part due to the awkward upbringing they had as a political family. Morale for the agents improves when Tess tells them that the President will be visiting her late husband's presidential library, but his subsequent cancellation lowers her spirits.

During a day out, Tess and Earl take off again, without Doug, on another apparent joy ride. When they don't return that night, Doug and his security detail realize that it was likely that Tess was kidnapped, and they contact the FBI. The FBI's investigation reveals that Tess's recent dizzy spells were caused by an inoperable brain tumor (about which she had indirectly told Doug) and, eventually, the car is found with an unconscious Earl but no Tess. Earl is found with small crescent-shaped burns on the back of his neck, which Doug soon suspects was caused by Tess fighting back with the car's cigarette lighter.

In Earl's hospital room, Doug and FBI agent Schaeffer question the chauffeur. He gets nervous and defensive when he sees Doug holding the lighter, and attempts to frame him for the kidnapping. Furious, Doug threatens to shoot off the chauffeur's toes, one by one, until he confesses to them where Tess is being held, even going so far as to shoot one toe.^[3] Earl admits that Tess is being held captive by his sister and her husband.

The FBI and Secret Service raid the kidnappers' home and arrest them. When they find Tess buried, but alive, beneath the floor of the farm's barn, Doug and his agents insist in doing the digging. Tess then insists that her Secret Service detail accompany her to the hospital and other officials must remove themselves from the rescue helicopter.

Upon being released from the hospital, Tess refuses to obey the hospital rule that patients must be discharged in a wheelchair. Doug tells her, using her first name for the first time, "Tess, get in the God damn chair." After a brief pause, Tess complies, pats Doug's hand and says, "Very good, Douglas. You're going to be all right."

Cast

Shirley MacLaine as First Lady Tess Carlisle
Nicolas Cage as Secret Service Agent Doug Chesnic
Austin Pendleton as Earl Fowler
Edward Albert as Barry Carlisle
James Rebhorn as FBI Agent Howard Schaeffer
Richard Griffiths as Frederick
John Roselius as Secret Service Agent Tom Bahlor
David Graf as Secret Service Agent Lee Danielson
Don Yesso as Secret Service Agent Ralph Buoncristiani
James Lally as Secret Service Agent Joe Spector
Brant von Hoffman as Secret Service Agent Bob Hutcherson
Harry J. Lennix as Secret Service Agent Kenny Young
Susan Blommaert as Kimberly Cannon
Dale Dye as CIA Agent Charles Ivy
James Handy as Secret Service Director Neal Carlo
Hugh Wilson as The President (voice)

Reception

Guarding Tess received mixed reviews from critics. Rotten Tomatoes gives the film a 57% rating based on 35 reviews, with an average rating of 5.8/10.^[4] On Metacritic, the film has a weighted-average score of 50 out of 100, based on 14 critics, indicating "mixed or average reviews".^[5] The Washington Post described it as derivative of other recent films Driving Miss Daisy (1989), The Bodyguard (1992), and In the Line of Fire (1993), and decries "the melodramatic turnaround that sabotages the last section of the movie", but describes "the comic tension between MacLaine and Cage" as being "so well done, it doesn't matter how dumb things get".^[6]