Financed by the Germans and opened with the support of collaborationist leader Milan Nedić, it featured an estimated 200,000 brochures, 108,000 copies of nine different types of envelopes, 100,000 flyers, 60,000 copies of twenty different posters, and 176 different propaganda films that had previously been seen during The Eternal Jew exhibitions in Munich and Vienna in 1937. Despite nominally being anti-Masonic, its purpose was to promote antisemitic ideas and intensify hatred of Jews. Certain displays were intended to dehumanize the Jewish people and justify their extermination by the Germans. Others resembled anti-Jewish propaganda from the period of the Russian Empire and repeated the claims put forward in the book The Protocols of the Elders of Zion. The exhibition was organized by former members of the fascist movement known as Zbor and sought to expose an alleged Judeo-Masonic/Communist conspiracy for world domination through several displays featuring antisemitic propaganda.
Four stamps commemorating the exhibition were issued by Serbian collaborationist authorities in January 1942, depicting Judaism as being the source of all evil in the world and portraying a "strong and victorious Serbia triumphing over the plot of world domination." An estimated 80,000 people, including collaborationist leader Milan Nedić and some of his ministers, visited the exhibition prior to its closure on January 19, 1942.
On 29 August 1941, the Germans appointed the Government of National Salvation (Serbian: Vlada Nacionalnog Spasa, Влада Националног Спаса) under General Milan Nedić, to replace the short-lived Commissioner Administration.[11] Nedić, a pre-war politician, believed since the defeat of France in the 1940 that the Germans would emerge as the winners in World War II and sought to protect the Serbian people from German retaliation by cooperating with the Axis. Resistance to the Germans emerged immediately and caused the German High Command to declare that a hundred Serbs would be executed for every German soldier killed and fifty Serbs would be executed for every German soldier wounded. By October 1941, the Germans executed more than 25,000 Serbs in various revenge killings throughout the occupied territory.[12]
Upon capturing Belgrade in April, the Germans ordered the city's 12,000 Jews to report themselves to the occupational authorities. Laws were then passed which prohibited Jews from various activities in the occupied territory, ranging from going to restaurants to riding streetcars.[13] Jews were ordered to wear identifying armbands on which the word "Jew" (Serbian: Jevrejin) was painted in black letters.[14] Some Serbs accused the Jews of being behind the Yugoslav coup d'état which resulted in the Axis invasion of Yugoslavia and Nedić went so far as to call the Partisans a "criminal Jewish gang."[15]
The Grand Anti-Masonic Exhibition opened in Belgrade on 22 October 1941 at 8 Ilija Garašanin Street.[16] The Belgrade exhibit was organized by former members of Zbor[17] and sought to expose an alleged Judeo-Masonic/Communist conspiracy for world domination through several displays featuring antisemitic propaganda. It was funded by the Germans and opened with Nedić's support. Despite nominally being anti-Masonic, its purpose was to promote antisemitic ideas and intensify hatred of Jews.[18] Certain displays were intended to dehumanize the Jewish people and justify their extermination by the Germans.[19] Others resembled anti-Jewish propaganda from the period of the Russian Empire and repeated the claims put forward in the book The Protocols of the Elders of Zion. Besides the exhibits themselves, large amounts of propaganda material were prepared. An estimated 200,000 brochures, 108,000 copies of nine different types of envelopes, 100,000 flyers, 60,000 copies of twenty different posters, 176 propaganda films and four postage stamps designed specially for the occasion were presented to visitors.[18] The posters in particular have been described by historian Raphael Israeli as "[giving] a sense of the vile flavour of the exhibition and the theme of Jewish dominance."[20] In general, the exhibition itself has been deemed "bizarre"[21] and "heavily antisemitic" by historians.[18] Author Philip J. Cohen describes it as "vicious anti-Jewish propaganda."[22]
The organizers of the exhibition created advertisements that read: "This concept of exhibition will be unique not only in Serbia and the Balkans, not only in southeastern Europe and Europe, but in the world." However, the images depicted were not unique as they had been previously seen in 1937 during The Eternal Jew exhibitions in Munich and Vienna.[18] Serbian collaborationist newspapers such as Obnova (Renewal) and Naša Borba (Our Struggle) wrote positively of the exhibit, declaring Jews to be "the ancient enemies of the Serbian people" and that "Serbs should not wait for the Germans to begin the extermination of the Jews."[15]Obnova reported that 20,000 people had visited the exhibit by 27 October.[16]
In January 1942, Serbian collaborationist authorities issued stamps commemorating the exhibition.[20] The stamps portrayed a "strong and victorious Serbia triumphing over the plot of world domination".[23] Juxtaposing Serbian and Jewish symbols, the stamps depicted Judaism as being the source of all evil in the world while promoting the Serbian humiliation and violent subjugation of the Jews.[20] They also ensured that every time a person mailed a letter they would be reminded that Jews, Masons and Communists were the supposed enemies of the Serbian people.[23] The exhibition lasted until 19 January 1942, when it was closed. By then, it had been visited by an estimated 80,000 people, including Nedić and some of his ministers.[18]
Hehn, Paul N. (1971). "Serbia, Croatia and Germany 1941–1945: Civil War and Revolution in the Balkans". Canadian Slavonic Papers. 13 (4). University of Alberta: 344–373. doi:10.1080/00085006.1971.11091249. JSTOR40866373.
External links
Hate stamps Article on the hate stamps published in commemoration of the Anti-Freemason exhibition
