The narration does not follow a chronologically linear interpretation of the full life of Eva Perón. Instead, it focuses on the political disputes during the last year of Eva's life. These disputes involved women's suffrage in Argentina, failed coup attempts against the Peronist government, and Eva's failed bid for the vice presidency. The story concludes with Eva's death in 1952.
Lisa Alspector of the Chicago Reader favoured Goris' "riveting" portrayal of Evita over that of Madonna in the American film, Evita (1996), based on the musical. Alspectot described the Argentine film as "an effective character study with plenty of subtext." She also stated that "it's fascinating to watch Goris and Victor Laplace (as Juan Peron) demystify sensationalized figures." She praised the greater emphasis on politics rather than Eva's brief acting career and felt the title character engaged viewers so that "you're compelled to ponder her complex motivations throughout."[4]
