Born and raised in Sydney, Gillespie moved to New York City at the age of nineteen[1] to study illustration, graphic design and advertising at Manhattan's School of Visual Arts.[2][3]
Career
Gillespie started out as an intern at ad agency J. Walter Thompson, New York. He then moved on to D'Arcy Masius Benton & Bowles, BBDO, Deutsch, and Ammirati & Puris, first as an art director, later as a creative director. After eight years working on the agency side he moved into directing in 1995. Based on the strength of his spec reel and agency experience, he gained representation by production company Fahrenheit Films in late 1995.[4] One year later, he signed with Coppos Films. He has been with MJZ since 2000[5] and continues to work as a commercial director, commonly working with cinematographers Masanobu Takayanagi and Rodrigo Prieto.[6] Following nominations in 2001 and 2002 in the Directors Guild of America Award category for "Outstanding Directorial Achievement in Commercials", he won in 2006 for his Ameriquest and Altoids commercials.[2] He also won a Golden Lion Award at 2005's Cannes Lions International Advertising Festival, and two of his commercials belong to the Museum of Modern Art in MidtownManhattan's permanent collection.[2] His commercial for Snickers featuring Betty White playing backyard football was voted the top ad of Super Bowl XLIV by USA Today and is credited with renewing public interest in the actress.[7][8]
Gillespie's debut feature film was 2007's Mr. Woodcock. He left the project after several negative test screenings, and many scenes were re-written and re-shot. David Dobkin replaced Gillespie in the director's role. Upon initially receiving the script, Gillespie had assumed that audiences would respond well to the dark humor he had been using in his commercials, but, according to him, "it was obvious the audience wanted a broader comedy, not the one I'd made. I appreciated the predicament New Line was in, so I stepped aside."[6] Less than a month after principal photography of Mr. Woodcock concluded, Gillespie set up pre-production of Lars and the Real Girl. He had had the Lars script for four years but had not yet attached any cast members or a studio.[1] He had first read the script before he was attached to Mr. Woodcock, but the pitch for Lars and the Real Girl—a man falling in love with a sex doll—which he had almost turned down himself, believing the premise to be an "absurd notion",[1] put off many major studios. He chose to direct Mr. Woodcock first.[9]
Gillespie directed several episodes, including the pilot, of the first season of Steven Spielberg and Diablo Cody's television series The United States of Tara.[10] He was set to re-team with Lars and the Real Girl lead actor Ryan Gosling for Dallas Buyers Club, a film telling the true story of Ron Woodroof, an electrician given six months to live after he was diagnosed with AIDS, but used a variety of drugs which he smuggled to other AIDS patients to live for another six years.[11] However, the directing job instead went to Jean-Marc Vallée and Matthew McConaughey as Ron Woodroof. In March 2010, it was announced that Gillespie would direct the Fright Night remake,[12] starring Colin Farrell, Anton Yelchin and Toni Collette for the lead roles.[13] Gillespie and Sam Worthington won the 2009 Australians in Film Breakthrough Award.[14]
Artikel ini membutuhkan rujukan tambahan agar kualitasnya dapat dipastikan. Mohon bantu kami mengembangkan artikel ini dengan cara menambahkan rujukan ke sumber tepercaya. Pernyataan tak bersumber bisa saja dipertentangkan dan dihapus.Cari sumber: Marcelo Peralta – berita · surat kabar · buku · cendekiawan · JSTOR (March 2020) Marcelo Peralta (5 Maret 1961 – 10 Maret 2020)) adalah pemain musik, guru, komposer, dan arranger dari Argentin...
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Interior showing promenade and cinema Interior junction of the two streets in the evening The Light is a leisure and retail centre in central Leeds in West Yorkshire, England. It occupies the rectangular space between The Headrow on the south, St Anne's Street on the north, Cookridge Street on the west, and Albion Street. Two former streets divide it: Upper Fountaine Street (east-west) and Cross Fountaine Street (north-south) now covered with a glass roof. It incorporates two listed building...
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