Natalie Wynn (born October 21, 1988) is an American left-wingYouTuber, political commentator, and cultural critic. She is best known for her YouTube channel, ContraPoints, where she creates video essays exploring a wide range of topics such as politics, gender, ethics, race, and philosophy.
Wynn started publishing YouTube videos in 2008, initially focusing on criticism of religion and her position as an atheist and a skeptic. In 2016, she began the ContraPoints channel in reaction to the Gamergate controversy and the increasing prevalence of right-wing YouTubers, shifting her content to countering their arguments.[9][14][19][20] Early ContraPoints videos also covered subjects such as race, racism, and online radicalization.[9]
In her videos, Wynn utilizes philosophy and personal anecdotes to not only explain left-wing ideas, but to also criticize common conservative, classical liberal, alt-right, and fascist talking points.[14][21][22] Wynn's videos are said to often have a combative but humorous tone, containing dark and surreal humor, sarcasm, and sexual themes.[14] She often illustrates concepts by playing different characters who debate one another.[1] The videos have been noted for her production choices such as dramatic lighting and elaborate costumes.[23] She borrows some aesthetic cues from drag performance.[24]
In a Wynn 2018 interview for The Verge, author and Information Science student Katherine Cross notes a difference between Wynn in-person and how she presents herself on YouTube, explaining that the channel projects a "blithe, aloof, decadent and disdainful" image, whereas Wynn, personally, "can be earnest—and she cares deeply, almost too much," with Wynn concurring: "Contra has BDE. I do not."[25]
In February 2020, Wynn set all her videos from before August 2017, the time when she began her gender transition, to private, stating that they "no longer represent the person I've become".[29] She posted transcripts of older videos on her website.[30]
Jake Hall, writing for Vice, called Wynn "one of the most incisive and compelling video essayists on YouTube".[9]New York magazine states, "ContraPoints is very good. Regardless of the viewer's interest or lack thereof in internet culture wars, YouTube Nazis, or any of the other wide-ranging subjects covered in its videos, they're funny, bizarre, erudite, and compelling."[14]Nathan J. Robinson of Current Affairs calls ContraPoints a "one-woman blitzkrieg against the YouTube right."[1]
Media often describe the channel's content as suited to a millennial audience, due to its style and attention to online culture.[1][23][32]
Her analysis of right-wing use of memes and coded symbols has been cited by the Southern Poverty Law Center in an article explaining the right-wing use of the OK sign.[22] Journalist Liza Featherstone, in The Nation, recommends the channel, saying that Wynn does a "fabulous job" acknowledging her opponents' valid points while debunking weak arguments and revealing the influence of a sometimes unacknowledged far-right political agenda.[33]
In November 2018, after a ContraPoints video about incels reached over one million views, The New Yorker carried a report on the channel, describing Wynn as "one of the few Internet demi-celebrities who is as clever as she thinks she is, and one of the few leftists anywhere who can be nuanced without being boring."[34]The Verge has called Wynn's "confident and indulgent" persona in ContraPoints as "decadent" in "the mold of Oscar Wilde by way of Weird Twitter," commenting on her postmodernrococo set design and the "bewildering" variety of characters she deploys.[4]
The Atlantic praised the channel's sets, lighting, and music, opining that "the most spectacular attraction [...] is Wynn herself."[32]Polygon named her video on incels one of the 10 best video essays of the year 2018.[15] In May 2019, she topped the Dazed 100 list, which ranks people who "dared to give culture a shot in the arm."[35]
ContraPoints won Best Commentary at the 10th Annual Streamy Awards.[36]
Pronouns and transmedicalism controversies
In September 2019, Wynn described on Twitter feelings of awkwardness when asked in some contexts to describe her preferred gender pronouns.[37] The tweets were criticized as dismissive of non-binary people who use pronouns other than "he/him" and "she/her".[38]
Linguistics professor Lal Zimman said about pronoun introductions, "Wynn is absolutely right that people engage with that practice in ways that can be somewhat problematic".[37] Following constant negative harassment, Wynn deactivated her Twitter account for a week, then posted an apology.[38] Shortly after, Wynn's video "Opulence" featured a quote from John Waters read by transsexual pornographic actorBuck Angel,[39] whose views on transgender and non-binary people have attracted criticism, including by some who see Angel's views as being transmedicalist.[38][39] Wynn was criticized for using Angel in the video.[39]
At the time, Wynn and other YouTubers associated with her channel were widely harassed online.[38][39]
Wynn's January 2020 video "Canceling" addressed both criticism of her and harassment, and the broader context of cancel culture. Her stance was praised by Robby Soave of Reason.[40] In a Guardian interview on her January 2021 video "J.K. Rowling", in which she addressed cancel culture in the context of trans-exclusionary radical feminists, she stated she is "less interested in cancelling Rowling – whose books [...] she enjoyed as a child – than in prompting her [Wynn's] viewers to consider the possibility of their own lurking transphobia," adding that she tries to "take a more humanistic perspective when it comes to the topic of bigotry."[11]
In the video at 02:42: Reeve: "Natalie quit a philosophy PhD program in 2015..." Wynn: "Dropped out of grad school. 'I'm going to write fiction!' That didn't go anywhere. I was like driving Ubers. Just teaching piano lessons, being a paralegal, doing copywriting. Just like anything. It was because of [?] dark moment that I even decided to do something as suicidal as make video responses to alt-right people."
^ abMahdawi, Arwa (September 13, 2019). "He, she, they ... should we now clarify our preferred pronouns when we say hello?". The Guardian. Archived from the original on November 8, 2019. Retrieved January 6, 2020. There's this paradox where I can go to a sports bar in North Carolina and be miss/ma'amed all night, no question. But in self-consciously trans-inclusive spaces I have to explain my pronouns and watch woke people awkwardly correct themselves every time they say 'you guys'.
^ abcdEarl, Jessie (October 21, 2019). "What Does the ContraPoints Controversy Say About the Way We Criticize?". Pride.com. Archived from the original on January 6, 2020. Retrieved January 6, 2020. [The] criticism from the larger trans and nonbinary community [...] exposes an unfortunate rift within progressive online spaces and illuminates a growing need for larger understanding of nonbinary identities. In our increasingly polarized culture, it has also demonstrated the growing issue surrounding an inability for criticism to become constructive.
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