Benny Golson (January 25, 1929 – September 21, 2024) was an American bebop and hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson was known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.
After graduating from Howard University, Golson joined Bull Moose Jackson's rhythm and blues band;[7]Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson's pianist at the time.[2]
Golson was working with the Lionel Hampton band at the Apollo Theater in Harlem in 1956 when he learned that Clifford Brown, a noted and well-liked jazz trumpeter who had done a stint with him in Dameron's band,[9] had died in a car accident. Golson was so moved by the event [10] that he composed the threnody "I Remember Clifford", as a tribute to a fellow musician and friend.[3][6][11]
In addition to "I Remember Clifford", many of Golson's other compositions have become jazz standards. Songs such as "Stablemates", "Killer Joe", "Whisper Not", "Along Came Betty", and "Are You Real?", have been performed and recorded numerous times by many musicians.[12]
From 1959 to 1962, Golson co-led the Jazztet with Art Farmer,[2] mainly playing his own compositions.[13] Golson then left jazz to concentrate on studio and orchestral work for 12 years.[2] During this time, he composed music for such television shows as Mannix, Ironside, Room 222, M*A*S*H, The Partridge Family and Mission: Impossible.[3] He also formulated and conducted arrangements to various recordings, such as Eric Is Here, a 1967 album by Eric Burdon, which features five of Golson's arrangements, conducted by Golson.[14]
During the mid-1970s, Golson returned to jazz playing and recording.[3] Critic Scott Yanow of AllMusic wrote that Golson's sax style underwent a major shift with his performing comeback, more resembling avant-garde Archie Shepp than the swing-era Don Byas influence of Golson's youth.[15] He made a successful second career playing in clubs and on festivals internationally.[3] In 1982, Golson re-organized the Jazztet with Farmer.[3][16]
Golson played a cameo role in the 2004 movie The Terminal, related to his appearance in A Great Day in Harlem, a group photograph of prominent jazz musicians taken in 1958.[3][17] Main character Viktor Navorski (Tom Hanks) travels to the US from Europe to obtain Golson's signature; Golson was one of seven musicians then surviving from the photo, the others being Johnny Griffin (died 2008), Eddie Locke (died 2009), Hank Jones (died 2010), Marian McPartland (died 2013), Horace Silver (died 2014), and Sonny Rollins. Pianist Ray Bryant's song "Something in B-Flat," which was included on Golson's debut album as a leader, Benny Golson's New York Scene, can be heard during a scene where Viktor is painting and redecorating part of an airport terminal; in a later scene, Golson's band performs "Killer Joe".[18] The album Terminal 1 was released by Golson shortly after the film, as a "homage to Steven Spielberg", its director.[19]
Musical style
Golson's early playing has been described as "characterised by a distinctively fibrous, slightly hoarse tone ... firmly within the mainstream-modern tradition exemplified by another of his heroes, the tenor player Don Byas." During the 1960s, however, he absorbed some of the techniques pioneered by his friend John Coltrane, whom he described as "an inextinguishable example of spiritual nobility."[3] He is regarded as "one of the most significant contributors" to the development of hard bop jazz.[20]
Personal life
Golson was married to Seville Golson; they had three sons, Odis, Reggie and Robert, and the marriage ended in divorce.[1] He married the ballet dancer Bobbie Hurd in 1959;[3] they had a daughter, Brielle.[1][3] In an interview with Awake! on October 8, 1980, Golson said that since the late 1960s he and his wife had become members of Jehovah's Witnesses.[21]
Golson died, following a short illness, at his home in Manhattan, New York, on September 21, 2024, at the age of 95.[1][3][6][22]
In October 2007, Golson received the Mellon Living Legend Legacy Award,[23] presented by the Mid Atlantic Arts Foundation at a ceremony at the Kennedy Center. Additionally, during the same month, he won the University of Pittsburgh International Academy of Jazz Outstanding Lifetime Achievement Award at the university's 37th Annual Jazz Concert in the Carnegie Music Hall.[25]
In November 2009, Golson was inducted into the International Academy of Jazz Hall of Fame, during a performance at the University of Pittsburgh's annual jazz seminar and concert.[26][27]
The Howard University Jazz Studies program created a prestigious award in his honor called the "Benny Golson Jazz Master Award" in 1996. Many distinguished jazz artists have received this award.[29]