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Bells Are Ringing
Bells Are Ringing
	Original poster
Directed by	Vincente Minnelli
Screenplay by	Betty Comden; Adolph Green; (screenplay and lyrics);
Based on	Bells Are Ringing; 1956 musical; by Betty Comden, Adolph Green and Jule Styne
Produced by	Arthur Freed
Starring	Judy Holliday; Dean Martin;
Cinematography	Milton Krasner
Edited by	Adrienne Fazan
Music by	Jule Styne; Music supervised and conducted by; André Previn;
Color process	Metrocolor
Production; company	An Arthur Freed Production
Distributed by	Metro-Goldwyn-Mayer
Release date	June 23, 1960;
Running time	126 minutes
Country	United States
Language	English
Budget	$3.2 million
Box office	$3.6 million

Bells Are Ringing is a 1960 American romantic comedy-musical film directed by Vincente Minnelli and starring Judy Holliday and Dean Martin. Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green and Jule Styne, the film focuses on Ella Peterson, based on the life of Mary Printz,^[3] who works in the basement office of a telephone answering service.

Plot

Ella Peterson works as a switchboard operator at the Susanswerphone answering service. She can't help breaking the rules by becoming overly involved in the lives of the subscribers. Some of the more peculiar ones include a dentist who exuberantly composes song lyrics on an air hose, an actor who emulates Marlon Brando and a little boy for whom she pretends to be Santa Claus.

Ella has a secret crush on the voice of subscriber Jeffrey Moss, an insecure playwright whose writing partner has left him and who has taken to drinking too much, for whom she plays a comforting motherly character. The producer of his play, The Midas Touch, leaves an ultimatum for Jeffrey that he must submit an installment of his play by an imminent deadline or lose the job. Drunk and dispirited, Jeffrey has left his phone off the hook. Breaking the rules to meet Jeffrey in person, Ella pretends to be "Melisande Scott", stopping by his apartment to rouse Jeffrey for his meeting and convince him that he can be successful on his own. Through a series of manipulations, Ella introduces the playwright to the wishful actor and composer, who now have a chance to advance their career aspirations by contributing to The Midas Touch. Romantic sparks and confusions result.

A humorous subplot involves the courtly Otto, who convinces Susanswerphone to take orders for his "mail-order classical record business" known as Titanic Records. However, Otto is actually a bookie whose orders are a coded system for betting on horses. Unwittingly, Ella changes orders for the supposedly incorrect Beethoven's Tenth Symphony, Opus 6, not realizing she is changing bets.

Although the police begin to assume that Susanswerphone might be a front for an escort service, the plot ends happily, with Jeff proposing and Ella's wacky subscribers coming to thank her.

Cast

Character names are not indicated in on-screen cast credits.

Judy Holliday as Ella Peterson
Dean Martin as Jeffrey Moss
Fred Clark as Larry Hastings
Eddie Foy, Jr. as J. Otto Prantz
Jean Stapleton as Sue
Ruth Storey as Gwynne
Dort Clark as Inspector Barnes
Frank Gorshin as Blake Barton
Ralph Roberts as Francis
Valerie Allen as Olga
Bernie West as Dr. Joe Kitchell
Steven Peck as Gangster
Gerry Mulligan as Ella's blind date
Jean Moorhead as Party Guest (uncredited)

Songs

Music by Jule Styne, lyrics by Betty Comden and Adolph Green

"It's a Perfect Relationship"
"Do it Yourself"
"It's a Simple Little System"
"Better Than a Dream"
"I Met a Girl"
"Just in Time”
"Drop That Name"
"The Party’s Over”
"I'm Going Back"

Production

Judy Holliday and Jean Stapleton reprised their stage roles for the film. Jazz musician Gerry Mulligan, Holliday's real-life ex-lover, plays her disastrous blind date in a cameo role. Bells Are Ringing was Holliday's final film.^[4]^[5]

Hal Linden appears, uncredited, in his first film appearance, singing 'The Midas Touch' in the nightclub act, wearing a gold lame suit. A friend of Holliday, he portrayed Jeff Moss with her in the Broadway play in 1958-1959.^[6]

Bells Are Ringing was also the final musical produced by the MGM "Freed Unit" headed by producer Arthur Freed, which had been responsible for many of the studio's greatest successes, including Meet Me in St. Louis (1944), Easter Parade (1948), On the Town (1949), An American in Paris (1951), Singin' in the Rain (1952) and Gigi (1958). The film marked the 13th and final collaboration between Freed and director Vincente Minnelli.

Several songs from the Broadway production were dropped or replaced, including "Salzburg", "Hello, Hello There", "On My Own" (replaced by "Do It Yourself"), "Long Before I Knew You" (replaced by "Better Than a Dream"), "Mu Cha Cha" (filmed but shortened) and "Is it a Crime?" (filmed, but cut before release). A new song for Dean Martin, "My Guiding Star", was also filmed but cut. The latter two songs have been released as extras on the Warner Home Video DVD. The soundtrack album was released by Capitol Records.

The row house used for exteriors stood at 215 East 68th Street, Manhattan, and had once been the residence of author Stephen Vincent Benet. It was a holdout from a row and was torn down in the early 1960s.

Reception

In a contemporary review, critic Bosley Crowther of The New York Times was critical of the script but praised Holliday's performance: "[T]he jangled romance they have prepared for her to play is a poor thing, made up of one slight gimmick and a lot of surrounding gags. What Miss Holliday does with the latter is the measure of the quality of the show. ... You can take our word for it: 'Bells Are Ringing' owes more to Miss Holliday than to its authors, its director (Vincent Minnelli), or even to Alexander Graham Bell."^[7]

Awards and nominations

Comden and Green won the Writers Guild of America award for Best American Musical. Together with Styne, they shared a Grammy Award nomination for Best Soundtrack Album or Recording of Original Cast from a Motion Picture or TV. Minnelli earned a Best Director nomination from the Directors Guild of America. André Previn was nominated for an Academy Award for Best Music, Scoring of a Musical Picture. At the 18th Annual Golden Globe Awards, the film was nominated for Best Film - Musical, and Holliday was nominated for Best Actress - Musical.

Box-office

According to MGM records, the film earned $2,825,000 in the U.S. and Canada but only $800,000 elsewhere, losing a total of $1,720,000.^[1]

References

^ ^a ^b ^c The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
^ US and Canada figures see "Rental Potentials of 1960", Variety, 4 January 1961 p 47.
^ Fox, Margalit (1 March 2009). "Mary Printz, an Ear for the Famous, Dies at 82". The New York Times. Retrieved 1 March 2009.
^ Robert Osborne, Turner Classic Movies
^ "Bells Are Ringing". www.tcm.com. Retrieved 2022-11-25.
^ "Bells Are Ringing". www.ibdb.com/. Retrieved 2023-06-20.
^ Crowther, Bosley (1960-06-24). "Screen: It's All Holliday". The New York Times. p. 31.