The liner notes for the original LP release stated: "It was late in 1957 that the Rendezvous became home base for the Kenton orchestra. Balboa offered the stimulating surroundings; the Rendezvous offered a location spot between tours and incomparable acoustical properties."
"The body of sound, and the crystal clear overtones achieved in this album, is attributed to the orchestra's blowing over a block-long polished dance floor and reverberating from the great arched wooden ceiling. The effect, without the use of echo chambers or electronic magic, is one which seemingly places the listener within the walls of the pastel hall."[4]
Down Beat critic Don Gold wrote in his July 10, 1958 review that "Kenton, in describing Holman's "Royal Blue" in the notes, terms it exciting, powerful, and positive. He could have been describing this band."
Gold goes on to say: "In Perkins, Kamuca, Niehaus, Noto and Katzman, Kenton has several key soloists. Most of the charts in this LP are by Johnny Richards; at his best. Other charts, by Marty Paich and Holman, take advantage of the orchestra's capabilities, too. The vivid over-all Kenton sound is precisely executed. This is an important orchestra."
The Allmusic review by Scott Yanow noted " The 1958 Kenton big band had several excellent soloists... Well-played if not quite essential music".[6]
Recorded at the Rendezvous Ballroom in Balboa, CA on January 20, 1958 (tracks 1, 2, 4, 8 & 9), January 21, 1958 (tracks 3, 5-7 & 10) and October 10, 1957 tracks 11-14
