Anton Johannes Gerrit Corbijn van Willenswaard was born on 20 May 1955 in Strijen in the Netherlands, where his father had been appointed as parson to the Dutch Reformed Church the previous year.[4] His father, Anton Corbijn van Willenswaard (1917–2007),[5] took up the same position in Hoogland (1966) and Groningen (1972),[6] moving his wife and four children with him.[7] His mother, Marietje Groeneboer (1925–2011), was a nurse and was raised in a parson's family. Photographer and director Maarten Corbijn (born 1960)[8] is a younger brother.[9] Grandfather Anton Johannes (Corbijn) van Willenswaard (1886–1959)[10][11] was an art teacher at Christian schools in Hilversum[12] and an active member in the local Dutch Reformed Church in Hilversum.[13][14]
Photography
Corbijn began his career as a music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photographs of the band Herman Brood & His Wild Romance and these led to a rise in fame for Brood and in exposure for Corbijn.[15]
From the late 1970s the London-based New Musical Express (NME), a weekly music paper, featured his work on a regular basis and would often have a photograph by him on the front page. One such occasion was a portrait of David Bowie wearing a loincloth backstage in New York when starring in The Elephant Man. In the early years of London-based The Face, a glossy monthly post-punk life style / music magazine, Corbijn was a regular contributor. He made his name photographing in black-and-white but in May 1989 he began taking pictures in colour using filters. His first venture in this medium was for Siouxsie Sioux.[16] Between 1998 and 2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject;[17] while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings.
In 1994 Corbijn directed a short film about Captain Beefheart/Don Van Vliet for the BBC called Some Yoyo Stuff. He made his feature film debut with Control, a film about the life of Joy Division frontman Ian Curtis. It premiered to rave reviews at the Cannes Film Festival on 17 May 2007.[19][20] The film is based on Deborah Curtis' book Touching from a Distance about her husband and the biography Torn Apart by Lindsay Reade (Tony Wilson's ex-wife) and Mick Middles. Although shown outside the Palme d'Or competition, Control was the big winner of the Director's Fortnight winning the CICAE Art & Essai prize for best film, the "Regards Jeunes" Prize award for best first or second directed feature film and the Europa Cinemas Label prize for best European film in the sidebar. It also received a special mention for the Caméra d'Or prize for best debut feature film.[21] In addition, the film also won the Michael Powell award for best new British feature at the Edinburgh International Film Festival.[22]
In 2010, Corbijn returned as a director with the character-based thriller The American, starring George Clooney.
On 23 and 25 July 2018, Corbijn filmed the last two concerts of Depeche Mode's Global Spirit Tour at the Waldbühne in Berlin. Some of this footage, intertwined with the stories of six life-long fans in the audience, became the film Spirits in the Forest, which was released in theaters worldwide on 21 November 2019. In Corbijn's interview with NME he spoke about the origins behind the idea of this film and said that they (him and Depeche Mode) "decided to look at the reason for why Depeche Mode was still growing... they're the biggest cult band in the world. It's unbelievable." He further adds that "it's in the DNA of [Depeche Mode] to have these connection to their fans... there's something unusual about it and the fans go to great lengths", which inspired him to make the film in the style that he did.[26][27][28][29][30][31][32][33][34]
Appearances
Author William Gibson refers to a fictitious portrait by Corbijn of the character Hollis Henry in his 2007 novel Spook Country.[35] A Corbijn photograph has served as the author's portrait on many of Gibson's books, including Neuromancer.[36]
Corbijn is the subject of Josh Whiteman's 2009 documentary film Shadow Play: The Making of Anton Corbijn.[37]
In May 2011, Corbijn presented Mandela Landscape, an artwork consisting of Corbijn's portrait of Nelson Mandela stitched by Dutch textile artist Berend Strik. Both the original work and 80 signed art prints were sold to fund the international edition of ZAM Magazine, an independent platform of African talent.[clarification needed][38]
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