Andreas Ritzos was born in Iraklio. His father Nicholas Ritzo was a seaman and jeweler, and his mother was lady Ergina. Andreas married Maria and had two sons. His son Nicholas was a painter. His other son Thomas was a jeweler and painter. His grandson was painter Maneas Ritzos.
Andreas is listed as a painter for the first time on July 27, 1451 as Andreas Ritzos pinctor. Records indicate that in 1454 his co-worker Maneas Theologitis vouched for him.[7] Documents indicate he was active as a painter between 1460 and 1492. He was also associated with other painters namely George Pelergi and Ioanni Kappadoka. In one document he testifies to the delivery of items from John Akatanos and in another, he received a loan from Andreas Pavias. His wife Maria died around 1482. He split the inheritance with his son Nicholas. His second marriage was with Nicola Gritti of Agnese. He signed his paintings three different ways; five of his icons were signed in Greek χείρ Ανδρέα Ρέτζου, three were signed Andreas Rico de Candia pinxit, and finally one was signed Andreas Ricio de Candia.[8]
Ritzos popularity shows that both Italian and Greek patrons continued to value the maniera greca and preferred the traditional style. Many paintings were attributed to the school of Ritzos because they were not signed and resemble the artist's painting style. There were countless Madonna and Child paintings for comparison. Angelos Akotantos influenced Andreas Pavias and Andreas Ritzos. Andreas Pavias and Ritzos influenced each other both employ the traditional rich gold background but Pavias began to employ the Venetian school.
The Virgin and Child with Crucifixion Narrative and the Ascension of Christ in the gallery are precursors to Georgios Klontzas and Theodore PoulakisAll Creation rejoices in Thee.Andreas PaviasCrucifixion of Jesus is another popular work that influenced Georgios Klontzas and Theodore PoulakisAll Creation rejoices in Thee. Ritzos Ascension of Christ separates the scenes into different compartments while Andreas PaviasCrucifixion of Jesus utilizes countless figures. Georgios KlontzasTransfiguration and Monastic Scenes 1603, is similar to Ritzos Acension of Christ.
Gallery
The Dormition of the Virgin
Mother and Child
The Mother of God Enthroned
The Mother of God Enthroned
The Virgin and Child with Crucifixion Narrative
The Dormition of the Virgin
Triptych Left to Right, Saint Nicholas with Saints, Virgin and Child, Saint Nicholas with Saints
Crucifixion and Resurrection Scenes within a Christogram
^Hatzidakis, Manolis & Drakopoulou, Eugenia (1997). Greek painters after the fall (1450-1830) Volume B. Athens, GR: Center for Modern Greek Studies E.I.E. pp. 324–332.
Byzantium: faith and power (1261-1557), an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Ritzos