Alan Marshal (born Alan M Willey 29 January 1909 – 9 July 1961) was an Australian-born actor who performed on stage in the United States and in Hollywood films. He was sometimes billed as Alan Marshall or Alan Willey.
Biography
Early life
Born Alan M Willey in Sydney, Australia, he was the son of popular Queensland stage actress Irby (Agnes) Marshal and English actor-producer Leonard Willey. The family left Australia in mid-1914, when he was five years old.[1][2]
Irby and Leonard continued their successful careers on the stage in the United States, first in San Francisco then in New York.[4]
Early acting career
Alan reportedly first appeared on Broadway in The Swan (1924), at age 15 as "Alan Willey".[5][6]
He went on to appear on Broadway as Stephano in The Merchant of Venice (1928), a production that also featured his father Leonard Willey as Antonio.[7] Other Broadway stage productions he performed in include The Game of Love and Death (1929–30), Michael and Mary (1930), and Death Takes a Holiday (1931).
As "Alan Marshal", he had roles on Broadway in Foolscap (1933), Going Gay (1934), While Parents Sleep (1934), Lady Jane (1934), The Bishop Misbehaves (1935) and On Stage (1935).
Film career
According to his son, Kit, Marshal was spotted by a studio scout while performing in a play in New York and was asked to do a screen test for Selznick International Studios.[8]
Marshal eloped with socialite Mary Grace Borel in November 1938.[22] The couple had one son, Christopher ("Kit"), who also became an actor.[23] Borel sued for divorce in August 1947.[24] Marshal did not remarry.[23]
Death
Marshal died after suffering a heart attack while appearing in Chicago with Mae West in a production of her play Sextette at the Edgewater Beach Playhouse on 9 July 1961. He was 52. He finished the performance but was later found dead in his bed at the Edgewater Beach Hotel. His son Kit was also performing in the show.[25][26]
^"Actor From Australia". The News. Vol. XXXII, no. 4, 875. Adelaide. 9 March 1939. p. 14. Retrieved 4 January 2018 – via National Library of Australia.
^Atkinson, J. Brooks (17 January 1928). "The Play". The New York Times. New York, New York. p. 22 – via NYTimes.com.
^"Film Notes". The West Australian. Vol. 61, no. 18, 373 (Second ed.). Western Australia. 1 June 1945. p. 9. Retrieved 4 January 2018 – via National Library of Australia.
^"Hollywood Parade". The Advertiser. Adelaide. 12 November 1938. p. 13. Retrieved 4 January 2018 – via National Library of Australia.
^"The life story of Alan Marshal". Picture Show. 44 (1133). London: 16. 11 January 1941. ProQuest1880299562.
^"20th in Deal With Selznick: Independent Producer's Story Properties and Players Taken Over". Los Angeles Times. 16 November 1942. p. A1. ProQuest165380047.
^Glancy, H. Mark "When Hollywood Loved Britain: The Hollywood 'British' Film 1939–1945" (Manchester University Press, 1999)
^The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study
^Richard B. Jewell, Slow Fade to Black: The Decline of RKO Radio Pictures, Uni of California, 2016
^"Australians Win Film Fame". Sunday Times (Perth). No. 2426. Western Australia. 13 August 1944. p. 4 (Supplement to the Sunday Times). Retrieved 4 January 2018 – via National Library of Australia.
^"Biography". Alan Marshall. Archived from the original on 22 October 2017. Retrieved 4 January 2018.
^Schallert, Edwin (31 March 1949). "Alan Marshal to Star With Claudette Colbert; Kazan Takes Over 'Pinky'". Los Angeles Times. p. B13. ProQuest165916155.
^Schallert, Edwin (13 May 1949). "Wilding Deal Settled; Lundigan 'Doctor' Lead; Hope, Ball Duo Favored". Los Angeles Times. p. 23. ProQuest165968489.
^Scheuer, Philip K (6 November 1958). "Nick of All Parts---That's Persoff!: Films' Only Nehemiah Joins Unusual 'Day of Outlaw' Cast". Los Angeles Times. p. B11. ProQuest167419383.
^West, John C (16 October 1966). "An Understudy Is Always On Stage: How to succeed in show business without really acting". Chicago Tribune. p. i32. ProQuest179094840.