| Beste rolprent
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Beste regisseur
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- Driving Miss Daisy – Richard D. Zanuck, Lili Fini Zanuck
- Born on the Fourth of July – A. Kitman Ho, Oliver Stone
- Dead Poets Society – Steven Haft, Paul Junger Witt, Tony Thomas
- Field of Dreams – Lawrence Gordon, Charles Gordon
- My Left Foot – Noel Pearson
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- Oliver Stone – Born on the Fourth of July
- Woody Allen – Crimes and Misdemeanors
- Kenneth Branagh – Henry V
- Jim Sheridan – My Left Foot
- Peter Weir – Dead Poets Society
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| Beste akteur
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Beste aktrise
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| Beste manlike byspeler
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Beste vroulike byspeler
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| Beste oorspronklike draaiboek
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Beste verwerkte draaiboek
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- Dead Poets Society – Tom Schulman
- Crimes and Misdemeanors – Woody Allen
- Do the Right Thing – Spike Lee
- Sex, Lies, and Videotape – Steven Soderbergh
- When Harry Met Sally... – Nora Ephron
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- Driving Miss Daisy – Alfred Uhry van Driving Miss Daisy deur Alfred Uhry
- Born on the Fourth of July – Oliver Stone, Ron Kovic van Born on the Fourth of July deur Ron Kovic
- Enemies, a Love Story – Roger L. Simon, Paul Mazursky van Enemies, a Love Story deur Isaac Bashevis Singer
- Field of Dreams – Phil Alden Robinson van Shoeless Joe deur W. P. Kinsella
- My Left Foot – Jim Sheridan, Shane Connaughton van My Left Foot deur Christy Brown
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| Beste buitelandse rolprent
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Beste kort animasieprent
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- Balance – Christoph Lauenstein, Wolfgang Lauenstein
- The Cow – Aleksandr Petrov
- The Hill Farm – Mark Baker
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| Beste oorspronklike musiek
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Beste oorspronklike liedjie
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- The Little Mermaid – Alan Menken
- The Fabulous Baker Boys – Dave Grusin
- Field of Dreams – James Horner
- Indiana Jones and the Last Crusade – John Williams
- Born on the Fourth of July – John Williams
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- "Under the Sea" uit The Little Mermaid – Alan Menken, Howard Ashman
- "After All" uit Chances Are – Tom Snow, Dean Pitchford
- "I Love To See You Smile" uit Parenthood – Randy Newman
- "The Girl Who Used to Be Me" uit Shirley Valentine – Marvin Hamlisch, Alan Bergman, Marilyn Bergman
- "Kiss the Girl" uit The Little Mermaid – Alan Menken, Howard Ashman
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| Beste kunsredigering
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Beste kinematografie
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- Batman – Anton Furst, Peter Young
- The Abyss – Leslie Dilley, Anne Kuljian
- The Adventures of Baron Munchausen – Dante Ferretti, Francesca Lo Schiavo
- Driving Miss Daisy – Bruno Rubeo, Crispian Sallis
- Glory – Norman Garwood, Garrett Lewis
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- Glory – Freddie Francis
- The Abyss – Mikael Salomon
- Blaze – Haskell Wexler
- Born on the Fourth of July – Robert Richardson
- The Fabulous Baker Boys – Michael Ballhaus
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| Beste rolprentredigering
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Visuele effekte
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- Born on the Fourth of July – David Brenner, Joe Hutshing
- The Bear – Noelle Boisson
- Driving Miss Daisy – Mark Warner
- The Fabulous Baker Boys – William Steinkamp
- Glory – Steven Rosenblum
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- The Abyss – Dennis Muren, Hoyt Yeatman, John Bruno, Dennis Skotak
- The Adventures of Baron Munchausen – Richard Conway, Kent Houston
- Back to the Future Part II – Ken Ralston, Michael Lantieri, John Bell, Steve Gawley
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