Designed by 德国建筑师Stephan Braunfels,现代艺术陈列馆was inaugurated in September 2002 after 7年 of construction. The rectilinear facade, dominated by white and grey concrete, is interrupted by large windows and highrising columns, the latter supporting the extensive canopied roof. Each of the four corners of the building, connected by a 中央的圆形大厅, is dedicated to a special collection.陈列馆分为艺术、建筑、设计和 Works on Paper (Graphik).
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现代艺术陈列馆unifies the "Sammlung Moderne Kunst" (National Collection of Modern and Contemporary Arts, which is under supervision of the Bavarian State Painting Collections), the "Staatliche Graphische Sammlung" (National Collection of Works on Paper), the "Neue Sammlung" ('New Collection': National Museum for Design and Applied Arts) with "Architekturmuseum der Technischen Universität" (Munich Technical University's 建筑博物馆), in one building and is deemed one of 最重要的欧洲现代艺术博物馆。
The Pinakothek houses works of artists like John Baldessari ("Man running/Men carrying box" 1988-1990), Bruce Nauman ("World Peace (projected)" 1996), Pipilotti Rist ("Himalaya Goldsteins Stube" 1998/1999), Hiroshi Sugimoto ("World Trade Center, Minoru Yamazaki" 1997), Bill Viola ("Tiny Death" 1993), Sam Taylor-Wood ("Soliloquy III" 1998) and Jeff Wall with his back-lit boxes ("Eviction Struggle" 1988; "A villager from Aricaköyu arriving in Mahmutbey, Istanbul September 1997")
The Collection of applied modernist art was founded in 1925. With around 70.000 objects of industrial design, graphic design and the arts and crafts the "Neue Sammlung" is today one of the world's leading museums of 20th century applied art, and indeed the largest of industrial design. Parts of the expanded collection are exhibited in the basement of the Pinakothek der Moderne. Among others objects about motor vehicle design, computer culture, design of artistic jewelry and furnitures (e.g. the collection of chairs of Michael Thonet) are exhibited.