After leaving Columbia, Glück was a private secretary.[6]
Career
In 1968, Glück published her first collection of poems, Firstborn. Many critics liked it.[7] However some said she was trying to copy Robert Lowell and Sylvia Plath".[8] Following the publication, Glück had a long case of writer's block, which was not cured, she said, until 1971, when she began to teach poetry at Goddard College in Vermont.[6][9] The poems she wrote during this time were collected in her second book, The House on Marshland (1975).[10]
In 1980, Glück's third collection, Descending Figure, was published. It received some criticism for its tone and subject matter, with some saying the poem was about hating children.[11] However some critics did like it.[12] That same year, a fire destroyed Glück's house in Vermont, resulting in the loss of most of her things.[13]
After the fire, Glück began to write the poems that would later be in her award-winning work, The Triumph of Achilles (1985). Many critics liked this work with some calling it "sharper" than her other works.[14] One critic called her "among the important poets of our age" and made her a popular poet.[15] From the collection, the poem "Mock Orange", has been popular with feminists.[16][17]
In 1984, Glück began working with Williams College in Massachusetts.[18] Her next collection of poems, Ararat (1990), talked about loss since it was written after her father died.[19] Glück followed this collection with one of her most popular books, The Wild Iris (1992), which talked about the meaning of life.[20] It was well liked by critics with some calling it "a milestone work".[21] It went on to win the Pulitzer Prize in 1993, making Glück's a popular American poet.[22]
In 1994, she published a collection of essays called Proofs & Theories: Essays on Poetry. She then created Meadowlands (1996), a collection of poetry about love and failing marriages.[23] She followed it with two more collections: Vita Nova (1999) and The Seven Ages (2001).
In 2004, in response to the terrorist attacks of September 11, 2001, Glück published a chapbook entitled October. It was one poem divided into six parts and was about ancient Greek myth to explore parts of trauma and suffering.[24] That same year, she began working with Yale University.[25]
Glück continued to publish poetry while working at Yale. She would go on to publish Averno (2006), A Village Life (2009), and Faithful and Virtuous Night (2014). In 2012, a collection of her poems during her fifty-year career, entitled Poems: 1962–2012, was published.[26] Another collection of her essays, titled American Originality, was released in 2017.[27]
In October 2020, Glück was awarded the Nobel Prize in Literature, becoming the sixteenth female literature laureate since the prize was founded in 1901.[28] Because of the COVID-19 pandemic, she received her prize at her home.[29]
In 2021, Glück's collection, Winter Recipes from the Collective, was published. In 2022, she was promoted at Yale.[30] In 2023, she was made a professor of English at Stanford University.
Personal life
Glück married Charles Hertz Jr. in 1967, however the marriage ended in divorce.[13] In 1973, Glück gave birth to a son, Noah, with her partner, Keith Monley, however their relationship ended in 1975.[31] From 1977 until their divorce in 1996, she was married to John Dranow.
↑Zuba, Jesse (2016). The First Book: Twentieth-Century Poetic Careers in America. Princeton: Princeton University Press. p. 128. ISBN978-1-4008-7379-1. OCLC932268118.
↑Stitt, Peter (1985). "Contemporary American Poems: Exclusive and Inclusive". The Georgia Review. 39 (4): 849–863. ISSN0016-8386. JSTOR41398888.
↑Abel, Colleen (January 15, 2019). "Speaking Against Silence". The Ploughshares Blog. Archived from the original on April 7, 2020. Retrieved April 7, 2020.
↑Hahn, Robert (Summer 2004). "Transporting the Wine of Tone: Louise Gluck in Italian". Michigan Quarterly Review. XLIII (3). hdl:2027/spo.act2080.0043.313. ISSN1558-7266.
↑"Louise Glück". Poetry Foundation. Archived from the original on August 29, 2020. Retrieved October 8, 2020.
↑Azcuy, Mary Kate (2011), "Persona, Trauma and Survival in Louise Glück's Postmodern, Mythic, Twenty-First-Century 'October'", Crisis and Contemporary Poetry, Palgrave Macmillan UK, pp. 33–49, doi:10.1057/9780230306097_3, ISBN978-0-230-30609-7
↑Speirs, Stephanie (November 9, 2004). "Gluck waxes poetic on work". yaledailynews.com. Archived from the original on April 7, 2020. Retrieved April 7, 2020.
↑"Creative Paralysis". The American Scholar. December 6, 2013. Archived from the original on April 7, 2020. Retrieved April 7, 2020.