Ronald Davis
</img> Mgbanaka, 1968, 60

Ronald " Ron" Davis ( ejedebe 1937) bụ onye America na-ese ihe nke ọrụ ya na geometric abstraction, abstract illusionism, lyrical abstraction, [1] [2] siri ike, ike akwa akwa, ike ubi agba, na  usoro kọmputa 3D.  .  Ọ bụ onye agha ihe ngwere ihe ngosi solo ihe nke nta ka ọ bụrụ iri asaa na ihe ngosi otu ọmarịcha.

Amụrụ na Santa Monica, California, a obodo ya na Cheyenne, Wyoming .  Na 1955-56 ọ gara Mahadum Wyoming .  Na 1959 mgbe ọ dị afụ 22, ọ nwere ike na ngwa.  Na 1960-64 ọ gara San Francisco Art Institute .  Ngosipụta nke Abstract, ihe nka na-aga n'ihu nke oge ahụ, ga-enwe ike n'ọtụtụ ọrụ ya n'ahụ.  Na 1962 ọ bụ onye akwụkwọ ụlọ akwụkwọ Summer nke Yale-Norfolk.  Na 1963 igodo ya ihe siri ike, geometric na ngwa anya n'ụdị, na 1964 ọrụ ọrụ ya na ụlọ ngosi mgbe ochie na veranda dị mkpa.  Ọ biri ma ọrụ na Los Angeles, 1965–71, na Malibu, California, 1972–90.  Ebe ọ bụ na 1991 ọ bila ma onye ọrụ na Arroyo Hondo na nri Taos, New Mexico .

Ronald Davis site n'oge mbụ nke ọrụ ya nwere ike dị ukwuu na ike nke oge a nke etiti 1960. Dị ka onye nkatọ Michael Fried si kwuo:   O nwere ihe mbụ nke otu onye na Nicholas Wilder Gallery na Los Angeles na 1965. ^[1]

Barbara Rose dere ihe omimi dị omimi njikọ Davis nke 1960 na katalọgụ so ihe ngosi nke usoro Dodecagon ya na 1989 na Los Angeles .  N'ime ndị nta akụkọ ọzọ o dere:   N'ime edemede Artforum na 1970 onye nkatọ / onye nkatọ bụ Walter Darby Bannard kwuru, sị: “Ọ bụ ihe na echiche 'usoro' na-akpa Davis nsogbu, ọ ka achọpụtakwa ejide ihe nke ụdị ya, ọ bụ nwata na ike nsso.  , yana ihe ndị a.  ga-esi n'okike pụta." [6] Site na 1966 ruo 1972, Ron Davis isi ụdị geometric, ụzọ na-eche echiche site na iji resin polyester na fiberglass. Banyere ihe ọrụ Davis nke njedebe 1960 na edemede na-eso Ronald.  Davis ihe ngosi retrospective nke afọ iri anọ nke Abstraction, na Butler Institute of American Art na 2002, onye na-ese ihe nkiri Ronnie Landfield dere, sị: "Dodecagons sitere na 1968-69 ihe n'etiti ndị kasị mma.  arụrụ ọrụ na-egosi echeta na-echeta nke onye na-ese ihe na-ahụ ahụkebe mere na ọkara ikpeazụ nke ike apụta nke iri abụọ" [7]

Na 1966 Davis bụ onye nkuzi na Mahadum California, Irvine.  N'afọ ahụ, o nwere ihe ngosi mbụ nke otu nwoke na Tibor de Nagy Gallery na New York City na ihe ngosi solo na Leo Castelli Gallery na 1968.

A na-enwe ọrụ ya na mkpokọta nke Museum of Modern Art na New York City, [1] Tate Gallery, London, [9] Los Angeles County Museum of Art na Art Institute of Chicago na enyela ya National National .  Onyinye maka nka nka .  ụdị 1990, ọ na-arụ ọrụ na ike na nka ike . [10]

• Nkà dijitalụ
• Ihe osise dijitalụ

• Alley (1981). "Ronald Davis", Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists. London: Tate Gallery and Sotheby Parke-Bernet, 143–4. Retrieved on 2021-07-20. 
• Bannard (January 1970). "Notes on American Painting of the Sixties". Artforum 8: 40–45. Retrieved on 2021-07-20. 
• Fried (April 1967). "Ronald Davis: Surface and Illusion Artforum" 5: 37–41, cover illus.: Six-Ninths Blue, 1966. Retrieved on 2021-07-20. 
• Jackson (2008). Ronald Davis. CharlotteJackson.com. Charlotte Jackson Fine Art. Archived from the original on 2012-10-12.
• Landfield (2002). The Essence Of Abstraction. Irondavis.com. Retrieved on May 9, 2008.
• Rose (1988). Ronald Davis: Objects and Illusions. Irondavis.com. Retrieved on May 9, 2008.

• Elderfield (March 1971). "New Paintings by Ron Davis". Artforum 9: 32–34. 
• Goldberger (January 18, 1976). "Studied Slapdash". The New York Times Magazine: 48–50.  Photos and article on Ron Davis’ Studio.
• Hughes (December 1968). "Ron Davis at Kasmin". Studio International 176: 264–265. 
• Kramer. "The Return of Illusionism", The New York Times, May 28, 1978, p. 25.
• Marmer (November 1976). "Ron Davis: Beyond Flatness". Artforum: 34–37. 
• Rose (October 1967). "Abstract Illusionism". Artforum. 
• Rose (1969). American Painting. Part Two: The Twentieth Century. New York: Skira - Rizzoli, 230, 234, color plate: Disk, 1968. 

• Official website
• Ronald Davis in the National Gallery of Australia's Kenneth Tyler Collection