Musik bising

Musik bising atau musik berisik adalah genre musik yang dicirikan oleh penggunaan bunyi yang ekspresif dalam konteks musiknya. Genre musik ini cenderung menantang perbedaan yang dibuat dalam praktik musik konvensional dan mengaburkan batas antara suara musik dan non-musik.[1] Musik kebisingan mencakup berbagai gaya musik dan praktik kreatif berbasis suara yang menampilkan kebisingan sebagai aspek utama.

Musik bising dapat menampilkan suara yang dihasilkan secara akustik maupun elektronik, serta alat musik, baik alat musik tradisional maupun alat musik non konvensional. Musik ini mungkin menggabungkan suara mesin, teknik vokal non-musik, media audio yang dimanipulasi secara fisik, rekaman suara yang diproses, rekaman lapangan, kebisingan yang dihasilkan komputer, proses stokastik, dan sinyal elektronik lain yang dihasilkan secara acak seperti distorsi, umpan balik, statis, desis dan dengungan. Musik ini mungkin juga ada penekanan pada tingkat volume tinggi dan potongan yang panjang dan berkesinambungan. Secara lebih umum, musik yang bising mungkin mengandung aspek-aspek seperti improvisasi, teknik yang diperluas, hiruk-pikuk, dan ketidaktentuan. Dalam banyak kasus, musik ini mengabaikan penggunaan melodi, harmoni, dan ritme.[2][3][4][5]

Catatan

  1. ^ Priest, Eldritch. "Music Noise" in Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure, p. 132. London: Bloomsbury Publishing; New York: Bloomsbury Academic, 2013.
  2. ^ Chris Atton, "Fan Discourse and the Construction of Noise Music as a Genre", Journal of Popular Music Studies 23, no. 3 (September 2011): 324–42. Citation on 326.
  3. ^ Torben Sangild, The Aesthetics of Noise (Copenhagen: Datanom, 2002):[halaman dibutuhkan]. ISBN 87-988955-0-8. Reprinted at UbuWeb.
  4. ^ Paul Hegarty, Noise/Music: A History (London: Continuum International Publishing Group, 2007): 3–19.
  5. ^ Caleb Kelly, Cracked Media: The Sound of Malfunction (Cambridge, Ma.: MIT Press, 2009): 60–76.

Referensi

  • Albright, Daniel (ed.) Modernism and Music: An Anthology of Source. Chicago: University Of Chicago Press, 2004.
  • Attali, Jacques. Noise: The Political Economy of Music, translated by Brian Massumi, foreword by Fredric Jameson, afterword by Susan McClary. Minneapolis: University of Minnesota Press, 1985.
  • Atton, Chris (2011). "Fan Discourse and the Construction of Noise Music as a Genre". Journal of Popular Music Studies, Volume 23, Issue 3, pages 324–42, September 2011.
  • Bangs, Lester. Psychotic Reactions and Carburetor Dung: The Work of a Legendary Critic, collected writings,edited by Greil Marcus. Anchor Press, 1988.
  • Biro, Matthew. The Dada Cyborg: Visions of the New Human in Weimar Berlin. Minneapolis: University of Minnesota Press, 2009.
  • Cage, John. Silence: Lectures and Writings. Wesleyan University Press, 1961. Reprinted 1973.
  • Cage, John. "The Future of Music: Credo (1937)". In John Cage, Documentary Monographs in Modern Art, edited by Richard Kostelanetz, Praeger Publishers, 1970
  • Cahoone, Lawrence. From Modernism to Postmodernism: An Anthology. Cambridge, Mass: Blackwell, 1996.
  • Cain, Nick "Noise" in The Wire Primers: A Guide to Modern Music, Rob Young, ed., London: Verso, 2009.
  • Cascone, Kim. "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music".Computer Music Journal 24, no. 4 (Winter 2002): 12–18.
  • Chadabe, Joel (1996). Electronic Sound: The Past and Promise of Electronic Music. New Jersey: Prentice Hall. hlm. 370. ISBN 0-13-303231-0. 
  • Cowell, Henry. The Joys of Noise in Audio Culture. Readings in Modern Music, edited by Christoph Cox and Dan Warner, pp. 22–24. New York: Continuum, 2004. ISBN 0-8264-1614-4 (hardcover) ISBN 0-8264-1615-2 (pbk)
  • Ocean Music by De Maria, Walter (1968)][perlu rujukan lengkap]
  • Gere, Charles. Art, Time and Technology: Histories of the Disappearing Body. Oxford: Berg Publishers, 2005.
  • Griffiths, Paul (1995). Modern Music and After: Directions Since 1945. Oxford: Oxford University Press. hlm. 373. ISBN 0-19-816511-0. 
  • Goodman, Steve. 2009. "Contagious Noise: From Digital Glitches to Audio Viruses". In The Spam Book: On Viruses, Porn and Other Anomalies From the Dark Side of Digital Culture, edited by Jussi Parikka and Tony D. Sampson, 125–40.. Cresskill, New Jersey: Hampton Press.
  • Hecht, Eugene. Optics, 4th edition. Boston: Pearson Education, 2001.
  • Hegarty, Paul. 2004. "Full with Noise: Theory and Japanese Noise Music". In Life in the Wires, edited by Arthur Kroker and Marilouise Kroker, 86–98. Victoria, Canada: NWPCtheory Books.
  • Hegarty, Paul. Noise/Music: A History. London: Continuum International Publishing Group, 2007.
  • Piekut, Benjamin. Experimentalism Otherwise: The New York Avant-Garde and Its Limits. Berkeley: University of California Press, 2012.
  • Kahn, Douglas. Noise, Water, Meat: A History of Sound in the Arts. Cambridge: MIT Press, 1999.
  • Kelly, Caleb. Cracked Media: The Sound of Malfunction Cambridge, Ma.: MIT Press, 2009.
  • Kemp, Mark. 1992. "She Who Laughs Last: Yoko Ono Reconsidered". Option Magazine (July–August): 74–81.
  • Krauss, Rosalind E. 1979. The Originality of the Avant Garde and Other Modernist Myths. Cambridge: MIT Press. Reprinted as Sculpture in the Expanded Field. Cambridge: MIT Press, 1986.
  • LaBelle, Brandon. 2006. Background Noise: Perspectives on Sound Art. New York and London: Continuum International Publishing.
  • Landy, Leigh (2007),Understanding the Art of Sound Organization, Cambridge, Massachusetts: MIT Press, xiv, 303p.
  • Lewisohn, Mark. 1988. The Beatles Recording Sessions. New York: Harmony Books.
  • Lombardi, Daniele. 1981. "Futurism and Musical Notes". Artforum January 1981. [1]
  • McCartney, Paul (1995). The Beatles Anthology (DVD). Berlangsung pada Special Features, Back at Abbey Road May 1995, 0:12:17. 
  • MacDonald, Ian (2005). Revolution in the Head: The Beatles' Records and the Sixties (edisi ke-Second Revised). London: Pimlico (Rand). ISBN 1-84413-828-3. 
  • Martin, George (1994). Summer of Love: The Making of Sgt Pepper. MacMillan London Ltd. ISBN 0-333-60398-2. 
  • Masters, Marc. 2007. No Wave London: Black Dog Publishing.
  • Mereweather, Charles (ed.). 2007. Art Anti-Art Non-Art. Los Angeles: Getty Research Institute.
  • Miles, Barry (1997). Many Years From Now. Vintage – Random House. ISBN 0-7493-8658-4. 
  • Nechvatal, Joseph. 2012. Immersion Into Noise. Ann Arbor: Open Humanities Press. ISBN 978-1-60785-241-4.
  • Nechvatal, Joseph. 2000. Towards a Sound Ecstatic Electronica. New York: The Thing Post.thing.net
  • Nyman, Michael (1974). Experimental Music: Cage and Beyond. London: Studio Vista. hlm. 196. ISBN 0-19-816511-0. 
  • Pedersen, Steven Mygind. 2007. Notes on Joseph Nechvatal: Viral SymphOny. Alfred, New York: Institute for Electronic Arts, School of Art & Design, Alfred University.
  • Petrusich, Amanda. "Interview: Lou Reed Pitchfork net. (Accessed 13 September 2009)
  • Priest, Eldritch. "Music Noise". In his Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure, 128–39. London: Bloomsbury Publishing; New York: Bloomsbury Academic, 2013. ISBN 978-1-4411-2475-3; ISBN 978-1-4411-2213-1 (pbk).
  • Rice, Ron. 1994. A Brief History of Anti-Records and Conceptual Records. Unfiled: Music under New Technology 0402 [i.e., vol. 1, no. 2]: [halaman dibutuhkan]Republished online, Ubuweb Papers (Accessed 4 December 2009).
  • Ross, Alex. 2007. The Rest Is Noise: Listening to the Twentieth Century. New York: Farrar, Straus and Giroux.
  • Sangild, Torben. 2002. The Aesthetics of Noise. Copenhagen: Datanom. ISBN 87-988955-0-8. Reprinted at UbuWeb
  • Sanouillet, Michel, and Elmer Peterson (eds.). 1989. The Writings of Marcel Duchamp. New York: Da Capo Press.
  • Smith, Owen. 1998. Fluxus: The History of an Attitude. San Diego: San Diego State University Press.
  • Spitz, Bob (2005). The Beatles: The BiographyPerlu mendaftar (gratis). New York: Little, Brown and Company. ISBN 1-84513-160-6. 
  • Tunbridge, Laura. 2011. The Song Cycle. Cambridge and New York: Cambridge University Press. ISBN 0-521-72107-5.
  • Watson, Ben. "Noise as Permanent Revolution: or, Why Culture Is a Sow Which Devours Its Own Farrow". In Noise & Capitalism, edited by Anthony and Mattin Iles, 104–20. Kritika Series. Donostia-San Sebastián: Arteleku Audiolab, 2009.
  • Watson, Steven. 2003. Factory Made: Warhol and the Sixties. New York: Pantheon.
  • Weiss, Allen S. 1995. Phantasmic Radio. Durham NC: Duke University Press.
  • Young, Rob (ed.). 2009. The Wire Primers: A Guide To Modern Music. London: Verso.
  • Van Nort, Doug. (2006), Noise/music and representation systems, Organised Sound, 11(2), Cambridge University Press, pp 173–178.

Bacaan lanjutan

  • Álvarez-Fernández, Miguel. "Dissonance, Sex and Noise: (Re)Building (Hi)Stories of Electroacoustic Music". In ICMC 2005: Free Sound Conference Proceedings. Barcelona: International Computer Music Conference; International Computer Music Association; SuviSoft Oy Ltd., 2005.
  • Thomas Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society, Belsona Books Ltd., 2012
  • Barthes, Roland. "Listening". In his The Responsibility of Forms: Critical Essays on Music, Art, and Representation, translated from the French by Richard Howard. New York: Hill and Wang, 1985. ISBN 0-8090-8075-3 Reprinted Berkeley: University of California Press, 1991. ISBN 0-520-07238-3 (pbk.)
  • Brassier, Ray. "Genre is Obsolete". Multitudes, no. 28 (Spring 2007) Multitudes.samizdat.net.
  • Cobussen, Marcel. "Noise and Ethics: On Evan Parker and Alain Badiou". Culture, Theory & Critique, 46(1) pp. 29–42. 2005.
  • Collins, Nicolas (ed.) "Leonardo Music Journal" Vol 13: "Groove, Pit and Wave: Recording, Transmission and Music" 2003.
  • Court, Paula. New York Noise: Art and Music from the New York Underground 1978–88. London: Soul Jazz Publishing, in association with Soul Jazz Records, 2007. ISBN 0-9554817-0-8
  • DeLone, Leon (ed.), Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall, 1975.
  • Demers, Joanna. Listening Through The Noise. New York: Oxford University Press. 2010.
  • Dempsey, Amy. Art in the Modern Era: A Guide to Schools and Movements. New York: Harry A. Abrams, 2002.
  • Doss, Erika. Twentieth-Century American Art. Oxford and New York: Oxford University Press, 2002
  • Foege, Alec. Confusion Is Next: The Sonic Youth Story. New York: St. Martin's Press, 1994.
  • Gere, Charlie. Digital Culture, second edition. London: Reaktion, 2000. ISBN 1-86189-388-4
  • Goldberg, RoseLee. Performance: Live Art Since 1960. New York: Harry N. Abrams, 1998.
  • Goodman, Steve a.k.a. kode9. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, Ma.: MIT Press, 2010.
  • Hainge, Greg (ed.). Culture, Theory and Critique 46, no. 1 (Issue on Noise, 2005)
  • Harrison, Charles, and Paul Wood. Art in Theory, 1900–2000: An Anthology of Changing Ideas. Oxford: Blackwell Publishing, 1992.
  • Harrison, Thomas J. 1910: The Emancipation of Dissonance. Berkeley: University of California Press, 1996.
  • Hegarty, Paul The Art of Noise. Talk given to Visual Arts Society at University College Cork, 2005.
  • Hegarty, Paul. Noise/Music: A History. New York, London: Continuum, 2007. ISBN 978-0-8264-1726-8 (cloth); ISBN 978-0-8264-1727-5 (pbk).
  • Hensley, Chad. "The Beauty of Noise: An Interview with Masami Akita of Merzbow". In Audio Culture: Readings in Modern Music, edited by C. Cox and Dan Warner, pp. 59–61. New York: Continuum, 2004.
  • Helmholtz, Hermann von. On the Sensations of Tone as a Physiological Basis for the Theory of Music, 2nd English edition, translated by Alexander J. Ellis. New York: Longmans & Co. 1885. Reprinted New York: Dover Publications, 1954.
  • Hinant, Guy-Marc. "TOHU BOHU: Considerations on the nature of noise, in 78 fragments". In Leonardo Music Journal Vol 13: Groove, Pit and Wave: Recording, Transmission and Music. 2003. pp. 43–47
  • Huyssen, Andreas. Twilight Memories: Marking Time in a Culture of Amnesia. New York: Routledge, 1995.
  • Iles, Anthony & Mattin (eds) Noise & Capitalism. Donostia-San Sebastián: Arteleku Audiolab (Kritika series). 2009.
  • Juno, Andrea, and Vivian Vale (eds.). Industrial Culture Handbook. RE/Search 6/7. San Francisco: RE/Search Publications, 1983. ISBN 0-940642-07-7
  • Kahn, Douglas, and Gregory Whitehead (eds.). Wireless Imagination: Sound, Radio and the Avant-Garde. Cambridge, Ma.: MIT Press, 1992.
  • Kocur, Zoya, and Simon Leung. Theory in Contemporary Art Since 1985. Boston: Blackwell Publishing, 2005.
  • LaBelle, Brandon. Noise Aesthetics in Background Noise: Perspectives on Sound Art, New York and London: Continuum International Publishing, pp 222–225. 2006.
  • Lander, Dan. Sound by Artists. Toronto: Art Metropole, 1990.
  • Licht, Alan. Sound Art: Beyond Music, between Categories. New York: Rizzoli, 2007.
  • Lombardi, Daniele. Futurism and Musical Notes, translated by Meg Shore. Artforum [2] [3]
  • Malaspina, Cecile. Introduction by Brassier, Ray. An Epistemology of Noise. Bloombury Academic. 2018.
  • Malpas, Simon. The Postmodern. New York: Routledge, 2005.
  • McGowan, John P. Postmodernism and Its Critics. Ithaca: Cornell University Press, 1991.
  • Miller, Paul D. [a.k.a. DJ Spooky] (ed.). Sound Unbound: Sampling Digital Music and Culture. Cambridge, Ma.: MIT Press, 2008.
  • Morgan, Robert P. "A New Musical Reality: Futurism, Modernism, and 'The Art of Noises'", Modernism/Modernity 1, no. 3 (September 1994): 129–51. Reprinted at UbuWeb.
  • Moore, Thurston. Mix Tape: The Art of Cassette Culture. Seattle: Universe, 2004.
  • Nechvatal, Joseph. Immersion Into Noise. Open Humanities Press in conjunction with the University of Michigan Library's Scholarly Publishing Office. Ann Arbor. 2011.
  • David Novak, Japanoise: Music at the Edge of Circulation, Duke University Press. 2013
  • Nyman, Michael. Experimental Music: Cage and Beyond, 2nd edition. Music in the Twentieth Century. Cambridge and New York: Cambridge University Press, 1999.ISBN 0-521-65297-9 (cloth) ISBN 0-521-65383-5 (pbk)
  • Pratella, Francesco Balilla. "Manifesto of Futurist Musicians" from Apollonio, Umbro, ed. Documents of 20th-century Art: Futurist Manifestos. Brain, Robert, R.W. Flint, J.C. Higgitt, and Caroline Tisdall, trans. New York: Viking Press, pp. 31–38. 1973.
  • Popper, Frank. From Technological to Virtual Art. Cambridge: MIT Press/Leonardo Books, 2007.
  • Popper, Frank. Art of the Electronic Age. New York: Harry N. Abrams; London: Thames & Hudson, 1993. ISBN 0-8109-1928-1 (New York); ISBN 0-8109-1930-3 (New York); ISBN 0-500-23650-X (London); Paperback reprint, New York: Thames & Hudson, 1997. ISBN 0-500-27918-7.
  • Ruhrberg, Karl, Manfred Schneckenburger, Christiane Fricke, and Ingo F. Walther. Art of the 20th Century. Cologne and London: Taschen, 2000. ISBN 3-8228-5907-9
  • Russolo, Luigi. The Art of Noises. New York: Pendragon, 1986.
  • Samson, Jim. Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. New York: W. W. Norton & Company, 1977.
  • Schaeffer, Pierre. "Solfege de l'objet sonore". Le Solfège de l'Objet Sonore (Music Theory of the Sound Object), a sound recording that accompanied Traité des Objets Musicaux (Treatise on Musical Objects) by Pierre Schaeffer, was issued by ORTF (French Broadcasting Authority) as a long-playing record in 1967.
  • Schafer, R. Murray. The Soundscape Rochester, Vt: Destiny Books, 1993. ISBN 978-0-89281-455-8
  • Sheppard, Richard. Modernism-Dada-Postmodernism. Chicago: Northwestern University Press, 2000.
  • Steiner, Wendy. Venus in Exile: The Rejection of Beauty in 20th-Century Art. New York: The Free Press, 2001.
  • Stuart, Caleb. "Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval" In Leonardo Music Journal Vol 13: Groove, Pit and Wave: Recording, Transmission and Music. 2003. pp. 47–52
  • Tenney, James. A History of "Consonance" and "Dissonance". White Plains, New York: Excelsior; New York: Gordon and Breach, 1988.
  • Thompson, Emily. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge, Ma.: MIT Press, 2002.
  • Voegelin, Salome. Listening to Noise and Silence: Towards a Philosophy of Sound Art. London: Continuum. 2010. Chapter 2 Noise, pp. 41–76.
  • Woods, Michael. Art of the Western World. Mandaluyong: Summit Books, 1989.
  • Woodward, Brett (ed.). Merzbook: The Pleasuredome of Noise. Melbourne and Cologne: Extreme, 1999.
  • Young, Rob (ed.) Undercurrents: The Hidden Wiring of Modern Music. London: Continuum Books. 2002.

Pranala luar

Wikimedia Commons memiliki media mengenai Noise music.

Read other articles:

Hasil Grand Prix tim Williams

Williams Grand Prix Engineering merupakan tim balap asal Inggris yang berkompetisi dalam Formula Satu sejak musim 1977. Selain itu, tim tersebut juga beberapa kali berpartisipasi dalam balapan Formula Satu non-kejuaraan. Tabel di bawah menjabarkan hasil lengkap dari partisipasi Williams Grand Prix Engineering dalam balap Grand Prix. Hasil Kejuaraan Dunia Formula Satu Partisipasi tim kerja Era 1970-an (key) Tahun Sasis Mesin Ban Pembalap 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Poin WCC 1977 ...

 

كارل فيليب موريتس

كارل فيليب موريتس (بالألمانية: Karl Philipp Moritz)‏  معلومات شخصية الميلاد 15 سبتمبر 1756(1756-09-15)هاملن الوفاة 26 يونيو 1793 (36 سنة)برلين مواطنة ألمانيا  عضو في الأكاديمية البروسية للعلوم  الحياة العملية المهنة كاتب،  وكاتب مقالات،  وناشر  اللغات الألمانية  التوقيع تعدي�...

 

1966 en mathématiques

Chronologies Données clés 1963 1964 1965  1966  1967 1968 1969Décennies :1930 1940 1950  1960  1970 1980 1990Siècles :XVIIIe XIXe  XXe  XXIe XXIIeMillénaires :-Ier Ier  IIe  IIIe Chronologies géographiques Afrique Afrique du Sud, Algérie, Angola, Bénin, Botswana, Burkina Faso, Burundi, Cameroun, Cap-Vert, République centrafricaine, Comores, République du Congo, République démocratique du Congo, Côte d'Ivoire, Djibouti, Égyp...

Frans Geffels

Entsatzschlacht von Wien 1683 Frans Geffels (Anversa, 1625 – 1694) è stato un architetto e pittore fiammingo, importante e versatile personalità del barocco. Indice 1 Biografia 2 Attività come architetto a Mantova 3 Opere pittoriche 4 Note 5 Altri progetti Biografia Giunse a Mantova verso il 1659. probabilmente chiamato dal conterraneo Daniel van den Dyck che, morto nel 1663, Geffels sostituì come prefetto delle fabbriche ducali gonzaghesche, voluto in questo ruolo da Carlo II di Gonzag...

 

B

  此條目介紹的是拉丁字母中的第2个字母。关于其他用法，请见「B (消歧义)」。   提示：此条目页的主题不是希腊字母Β、西里尔字母В、Б、Ъ、Ь或德语字母ẞ、ß。 BB b(见下)用法書寫系統拉丁字母英文字母ISO基本拉丁字母（英语：ISO basic Latin alphabet）类型全音素文字相关所属語言拉丁语读音方法 [b][p][ɓ](适应变体)Unicode编码U+0042, U+0062字母顺位2数值 2歷史發...

 

Mily Balakirev

Potret Balakirev Kuburan Balakirev Pemakaman Tikhvin Mily Balakirev (bahasa Rusia Милий Алексеевич Бала́кирев) (2 Januari 1837 – 29 Mei 1910) adalah seorang komponis berkebangsaan Rusia. Ia lebih dikenal karena mempertemukan para komponis yang dikenal sebagai The Five daripada karena musiknya sendiri, kecuali karyanya Islamey: an Oriental Fantasy, yang masih populer di antara para pianis. Karya-karya terpilih Komposisi dengan nomor opus Piano Concerto No. 1 dalam F ...

EuroTrip

2004 American sex comedy film by Jeff Schaffer EuroTripTheatrical release posterDirected byJeff Schaffer[1]Written by Jeff Schaffer Alec Berg David Mandel Produced by Alec Berg David Mandel Daniel Goldberg Jackie Marcus Starring Scott Mechlowicz Jacob Pitts Michelle Trachtenberg Travis Wester CinematographyDavid EggbyEdited byRoger BondelliMusic byJames L. VenableProductioncompanyThe Montecito Picture Company[1]Distributed byDreamWorks Pictures[1]Release date February&...

 

Red Eyebrows

One of the 1st century AD rebellions against the Xin dynasty Chimei redirects here. For other uses, see Chimei (disambiguation). Red EyebrowsChinese赤眉TranscriptionsStandard MandarinHanyu PinyinChìméiWade–GilesCh'ih4-mei2IPA[ʈʂʰɨ̂.měɪ]Yue: CantoneseJyutpingCek3-mei4IPA[tsʰɛːk̚˧.mei˩] Painted ceramic statues of one Chinese cavalryman and ten infantrymen with armor, shields, and missing weapons in the foreground, and three more cavalrymen in the rear, from the tomb ...

 

Spider-Man J

Japanese manga series Spider-Man JCover Of Spider-Man J, Volume 2スパイダーマン J(Supaidāman J)GenreSuperhero MangaWritten byYamanaka Akira [ja]Published byKodanshaEnglish publisherNA: Marvel ComicsMagazineComic BomBomDemographicChildrenOriginal runNovember 9, 2004 – May 11, 2005 Spider-Man J (Japanese: スパイダーマンJ, Hepburn: Supaidāman J) is a manga by Yamanaka Akira [ja]. It ran in the children's magazine, Comic BomBom, from November ...

Lorca FC

Football clubLorca FCFull nameLorca Fútbol Club, S.A.D.Founded1 June 2003; 20 years ago (1 June 2003) (as La Hoya Deportiva Club de Fútbol)Dissolved2022GroundFrancisco Artés CarrascoLorca, Murcia, SpainCapacity8,1202021–22Preferente Autonómica – Group 2, 15th of 15 (withdrew) Home colours Away colours Not to be confused with CF Lorca Deportiva. Lorca Fútbol Club was a Spanish football team based in Lorca, in the autonomous community of the Region of Murcia. Founded in 20...

 

Liga LEB 2000-2001

Liga LEB 2000-2001Dettagli della competizioneSport Pallacanestro OrganizzatoreFederazione cestistica della Spagna Federazione FEB Squadre16 VerdettiCampione Lleida(1º titolo) Promozioni Lleida  Granada Retrocessioni Círculo Badajoz CB Galicia MVP Michael Wilson Miglior allenatore Edu Torres MVP delle finali Óscar Rodríguez Bonache Ultimo aggiornamento dati: 22 maggio 2020 Cronologia della competizioneed. successiva →     ← ed. precedente...

 

Inverse electron-demand Diels–Alder reaction

Prototypical DAINV reaction between an electron-poor diene (acrolein) and an electron-rich dienophile (methyl vinyl ether). Bonds made and broken are labelled blue and red, respectively. The inverse electron demand Diels–Alder reaction, or DAINV or IEDDA[1] is an organic chemical reaction, in which two new chemical bonds and a six-membered ring are formed. It is related to the Diels–Alder reaction, but unlike the Diels–Alder (or DA) reaction, the DAINV is a cycloaddition between...

Ascenzi Square

Square in Brooklyn, New York Ascenzi SquareAscenzi Square in 2023TypeUrban green spaceLocationWilliamsburg, Brooklyn, New York CityCoordinates40°42′53″N 73°57′25″W / 40.7146°N 73.9570°W / 40.7146; -73.9570Operated byNew York City Parks DepartmentOpenAll year Ascenzi Square is a small plaza formed by the intersection of two street grids that meet at Metropolitan Avenue in the Williamsburg neighborhood of Brooklyn, New York City. Roebling Street traverse...

 

Indigofera

Genus of plants Indigofera Indigofera tinctoria Scientific classification Kingdom: Plantae Clade: Tracheophytes Clade: Angiosperms Clade: Eudicots Clade: Rosids Order: Fabales Family: Fabaceae Subfamily: Faboideae Tribe: Indigofereae Genus: IndigoferaL. (1753) Type species Indigofera tinctoriaL. Species See text. Synonyms[1][2] Acanthonotus Benth. (1849) Amecarpus Benth. (1847) Bremontiera DC. (1825) Brissonia Neck. (1790), opus utique oppr. Eleimanthus Hochst. (1846) Elasmoca...

 

Effects of overtime

Effects caused by overtime Woman experiencing stress Employees who work overtime hours experience numerous mental, physical, and social effects. In a landmark study, the World Health Organization and the International Labour Organization estimated that over 745,000 people died from ischemic heart disease or stroke in 2016 as a result of having worked 55 hours or more per week.[1] Significant effects include stress, lack of free time, poor work-life balance, and health risks.[2]...

Carmen Aristegui

Mexican journalist In this Spanish name, the first or paternal surname is Aristegui and the second or maternal family name is Flores. Carmen AristeguiBornMaría del Carmen Aristegui Flores (1964-01-18) January 18, 1964 (age 60)Mexico City, MexicoOccupationJournalistYears active1987–presentChildrenEmilioWebsitearisteguinoticias.com María del Carmen Aristegui Flores (Spanish pronunciation: [ˈkaɾ.men a.ɾisˈte.ɣi]; born January 18, 1964) is a Mexican journalist a...

 

Politics of Macau

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.Find sources: Politics of Macau – news · newspapers · books · scholar · JSTOR (May 2016) (Learn how and when to remove this message) Politics and government of Macau Laws Basic Law National security law One country, two systems Sino–British Joint Declaration Capital punis...

 

Özcan Melkemichel

Özcan MelkemichelNazionalità Svezia Calcio RuoloAllenatore Squadra Syrianska Termine carriera1992 - giocatore CarrieraGiovanili 1978-1983 Syrianska Squadre di club1 1983-1992 Syrianska? (?) Carriera da allenatore 2003-2004 Syrianska2005-2013 Syrianska2014-2016 AFC United2017-2018 Djurgården2020-2021 AFC Eskilstuna2023- Syrianska 1 I due numeri indicano le presenze e le reti segnate, per le sole partite di campionato.Il simbolo → indica un...

Bedug

Large double-headed drum A bedug in Istiqlal mosque, Jakarta.Percussion instrumentOther namesBeduk, BedhugClassification MembranophoneHornbostel–Sachs classification211.212.1(Cylindrical drum)Developedmaritime Southeast Asia Model of a Sundanese mosque with bedug hung horizontally at lower right, front part of the building. To its left a slit drum is hung vertically. The bedug (Indonesian and Malaysian Malay: beduk; Javanese: bedhug; Sundanese: dulag) is one of the drums used in the gamelan...

 

Успенский монастырь (Александров)

У этого термина существуют и другие значения, см. Успенский монастырь. У этого термина существуют и другие значения, см. Александровский женский монастырь. Успенский Александровский монастырь Свято-Успенский Александровский монастырь. Снимок Прокудина-Горского (1911) 56°24...