Sonate K. 102

Sonate K. 102
sol mineur
, Allegro, 100 mes.

K.101K.102 → K.103
L.88L.89 → L.90
P.87P.88 → P.89
F.59F.60 → F.61
XV 3 ← Venise XV 4 → XV 5

La sonate K. 102 (F.60/L.89) en sol mineur est une œuvre pour clavier du compositeur italien Domenico Scarlatti.

Présentation

La sonate K. 102, en sol mineur, est notée Allegro. Elle exploite le même objet technique que les sonates qui l'encadrent : les arpèges. Si les sonates K. 101 et 103 ont toutes deux des motifs très volubiles, la K. 102 s'inspire de formules conclusives déjà exploitées dans les séquences des sonates K. 7 et 55. Le motif à l'unisson de la K. 101 est repris ici[1]. La formule insistante des mesures 5 et suivantes se retrouve notamment dans la sonate K. 426 (mesure 8)[2].



\version "2.18.2"
\header {
  tagline = ##f
  % composer = "Domenico Scarlatti"
  % opus = "K. 102"
  % meter = "Allegro"
}

%% les petites notes
trillFis     = { \tag #'print { fis4\trill } \tag #'midi { g32 fis g fis~ fis8 } }
trillDp      = { \tag #'print { d4.\trill } \tag #'midi { e32 d e d~ d4 } }
trillBesq    = { \tag #'print { bes8\trill } \tag #'midi { c32 bes c bes } }
trillDpAppo  = { \tag #'print { \appoggiatura d32 cis4.\trill } \tag #'midi { e32 d e d e d e d } }

upper = \relative c'' {
  \clef treble 
  \key g \minor
  \time 3/8
  \tempo 4. = 76
  \set Staff.midiInstrument = #"harpsichord"
  \override TupletBracket.bracket-visibility = ##f

      s8*0^\markup{Allegro}
      g'8 d a | bes4 c8 | d8 ees g, | \trillFis g8 | \repeat unfold 2 { r8 a8. bes32 c |
      % ms. 6
      bes8 a g } | r8 a8. bes32 c | bes8 c \repeat unfold 2 { d~ | d c16 bes a g |
      % ms. 12
      \appoggiatura g32 a4 } | d c16 bes a g | \trillDp | d16 g fis bes a c |
      % ms. 18
      bes8 c d~ | d16 ees d c bes a | \trillBesq a16 bes g8 | d16 g fis bes a c | bes8 c d~ |
      % ms. 23
      d16 g fis bes a c | \trillBesq a16 bes g8 |  bes16 g e cis e bes' | \repeat unfold 2 { a16 g f e d c' | bes16 g e cis e bes' } |
      % ms. 30
      a16 e f cis d a | bes f g e f d |  \trillDpAppo

}

lower = \relative c' {
  \clef bass
  \key g \minor
  \time 3/8
  \set Staff.midiInstrument = #"harpsichord"
  \override TupletBracket.bracket-visibility = ##f

    % ************************************** \appoggiatura a8  \repeat unfold 2 {  } \times 2/3 { }   \omit TupletNumber 
      r4. | g'8 d a | bes8 c4 | d8 ees g, | \repeat unfold 3 { << { d'4. d } \\ { fis,8 e d | g a bes } >> }
      % ms. 11
      \repeat unfold 2 { < c, c' >8 < d d' > < ees ees' > | < d d' > < c c' > < bes bes' > } | < ees, ees' >4. | < d d' >4. | \repeat unfold 2 { R4. |
      % ms. 18
      g'16 c bes ees d g | fis8 e d | g,,4. } |
      % ms. 25
      \repeat unfold 2 { e''8 g e | fis a fis } | e8 g e |
      % ms. 30
      f4 d8 | g,4 bes8 | a,4. 

}

thePianoStaff = \new PianoStaff <<
    \set PianoStaff.instrumentName = #"Clav."
    \new Staff = "upper" \upper
    \new Staff = "lower" \lower
  >>

\score {
  \keepWithTag #'print \thePianoStaff
  \layout {
      #(layout-set-staff-size 17)
    \context {
      \Score
     \override SpacingSpanner.common-shortest-duration = #(ly:make-moment 1/2)
      \remove "Metronome_mark_engraver"
    }
  }
}

\score {
  \keepWithTag #'midi \thePianoStaff
  \midi { }
}
Premières mesures de la sonate en sol mineur K. 102, de Domenico Scarlatti.


partition manuscrite rehaussée de couleurs passées
Début de la sonate, extraite du volume XV du manuscrit de Venise.

Manuscrit

Le manuscrit principal est le numéro 4 du volume XV de Venise (1749), copié pour Maria Barbara[3].

Interprètes

La sonate K. 102 est peu jouée, mais défendue au clavecin par Scott Ross (1985, Erato)[4], Richard Lester (2005, Nimbus, vol. 6) et Pieter-Jan Belder (Brilliant Classics, vol. 3).

Notes et références

  1. Chambure 1985, p. 183.
  2. Sutcliffe 2008, p. 358.
  3. Kirkpatrick 1982, p. 463.
  4. Victor Tribot Laspière, « Au Château d’Assas, sur les traces de Scott Ross et de Scarlatti », sur France Musique, (consulté le )

Sources

Document utilisé pour la rédaction de l’article : document utilisé comme source pour la rédaction de cet article.

Liens externes

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