PROFILPELAJAR.COM

La bibliographie en anglais sur le kinétoscope regroupe les ouvrages consacré à l'invention de Thomas Edison.

(en) Thomas Alva Edison, Kinetographic Camera, Orange, Mannoni et al., 31 juillet 1891
(en) Thomas Alva Edison, Apparatus for Exhibiting Photographs of Moving Objects, Orange, Mannoni et al., 31 juillet 1891
(en) Charles Kelley Jeness, The Charities of San Francisco : A Directory of the Benevolent and Correctional Agencies, San Francisco, Book Room Print/Stanford University, 1894
(it) Guida practica per l'uso … del kinetoscopio Edison, Milan, Mannoni et al., 1895-1896
(en) Hugo Münsterberg, The Film : A Psychological Study, New York, Dover, 1916 (réimpr. 2004)
0-4864-3386-2
(en) Terry Ramsaye, A Million and one nights : a history of the motion picture through 1925, New York, Touchstone, 1926 (réimpr. 1986), 868 p. (ISBN 0-671-62404-0)
(en) Gordon Hendricks, The Edison Motion Picture Myth, Berkeley et Los Angeles, University of California Press, 1961 (réimpr. 1972) (ISBN 0-405-03919-0)
(en) Gordon Hendricks, The Kinetoscope : America's First Commercially Successful Motion Picture Exhibitor, New York, Theodore Gaus' Sons, 1966 (réimpr. 1972) (ISBN 0-405-03919-0)
(en) Richard Griffith et Stanley William Reed, Motion Pictures, Londres, Encyclopædia Britannica, novembre 1971, 558 p. (ISBN 0-85229-151-5)
(en) H Mark Gosser, Selected Attempts at Stereoscopic Moving Pictures and Their Relationship to the Motion Pictures Technology 1852-1903, New York, Ayer co pub, septembre 1977, 340 p. (ISBN 0-405-09890-1)
(en) Stanley Appelbaum, Chicago Worlds Fair of 1893 : A Photographic Record, New York, Dover, 24 novembre 1980, 116 p. (ISBN 0-486-23990-X, lire en ligne)
(en) Douglas Gomery, The Coming of Sound : Technological Change in the American Film Industry — tiré de Technology and Culture - The Film Reader, Oxford et New York, Andrew Utterson, 1985, 53 à 57 (ISBN 0-415-31984-6)
(en) Charles Müsser, The Emergence of Cinema : The American Screen to 190, Berkeley, Los Angeles et Londres, University of California Press, 1990 (réimpr. 1994), 613 p. (ISBN 0-520-08533-7, lire en ligne)
(en) André Millard, Edison and the Business of Innovation, Baltimore, Johns Hopkins University Press, 1990 (ISBN 0-8018-3306-X)
(en) Tom Cunning, D. W. Griffith and the Origins of American Narrative Film : The Early Years at Biograph., Urbana et Chicago, University of Illinois Press, 1991 (réimpr. 1994), 316 p. (ISBN 0-252-06366-X, lire en ligne)
(en) Barry Salt, Film Style and Technology : History and Analysis, Londres, StarWord, 1992, 407 p. (ISBN 0-9509066-0-3)
(en) Marta Braun, Picturing Time : The Work of Etienne-Jules Marey, Chicago, University of Chicago Press, 1^er novembre 1994, 472 p. (ISBN 0-226-07173-1)
(en) Neil Baldwin, Edison : Inventing the Century, Chicago, University of Chicago Press, 2 juillet 1995 (réimpr. 2001), 542 p. (ISBN 0-226-03571-9, lire en ligne)
(en) Laurent Mannoni, Donata Pesenti Campagnoni, et David Robinson, Light and Movement : Incunabula of the Motion Picture, Londres, BFI Publishing / Le Giornate Del Cinema Muto / Cinémathèque française / Musée du Cinéma (ISBN 978-88-86155-05-2 et 88-86155-05-0)
(en) David Robinson, Carmencita description — tiré de Light and Movement, New York, Manoni and all, 1996 (ISBN 88-86155-05-0)
(en) Richard W. Burns, Television : an international history of the formative years, Londres, Institution of Electrical Engineers, 31 octobre 1997, 661 p. (ISBN 0-85296-914-7)
(en) David Robinson, From Peepshow to Palace : The Birth of American Film, New York et Chichester (West Sussex), Columbia University Press, 1997, 213 p. (ISBN 0-231-10338-7)
(en) Allan Karcher, New Jersey's Multiple Municipal Madness, New Brunswick, New Jersey, et Londres, Rutgers University Press, 31 janvier 1998, 320 p. (ISBN 0-8135-2565-9)
(en) Deac Rossell, Living Pictures : The Origins of the Movies, Albanie (USA), State University of New York Press, 1998, 188 p. (ISBN 0-7914-3767-1, lire en ligne)
(en) Vanessa R. Schwartz, Spectacular realities : early mass culture in fin-de-siècle Paris, Paris, Los Angeles et Londres, University of California Press, 1998 (réimpr. 1999), 230 p. (ISBN 0-520-22168-0, lire en ligne)
(en) William K.L. Dickson, Edison's Kinematograph Experiments — tiré de A History of Early Film —, Londres et New York, Routledge, 1^er décembre 1999, 1800 p. (ISBN 0-415-21152-2)
(en) Paul C. Spehr, Unaltered to Date: Developing 35mm Film — tiré de Moving Images: From Edison to the Webcam, Sydney, John Fullerton and Astrid Söderbergh Widding &mdash John Libbey & Co., 2000, 201 p. (ISBN 1-86462-054-4)
(en) Patrick Robertson, Film Facts, New York, Billboards Books, 2001, 256 p. (ISBN 0-8230-7943-0)
(en) Charles Musser, Introducing Cinema to the American Public: The Vitascope in the United States, 1896–7 — tiré de Moviegoing in America: A Sourcebook in the History of Film Exhibition, Maiden, Massachusetts et Oxford, Blackwell, 2002, 351 p. (ISBN 0-631-22591-9)
(en) Rick Altman, Silent Film Sound, Washington, Columbia University Press, 8 décembre 2004, 528 p. (ISBN 0-231-11662-4)
(en) Lee Grieveson et Peter Krämer, The Silent Cinema Reader, Londres et New York, Routledge, 27 novembre 2004, 400 p. (ISBN 0-415-25283-0)
(en) Charles Musser, At the Beginning : Motion Picture Production, Representation and Ideology at the Edison and Lumière Companies, Londres, Grieveson and Krämer, 2004
(en) Andrew J. Rausch, Turning Points in Film History, New York, Citadel Press, 2004, 261 p. (ISBN 0-8065-2592-4)
(en) Stephen Van Dulken, American Inventions : A History of Curious, Extraordiary, and Just Plain Useful Patents, New York, New York University Press, 2004, 241 p. (ISBN 0-8147-8813-0)
(en) Gary S. Cooper et John K. Walton, The Playful Crowd : Pleasure Places in the Twentieth Century, New York, Columbia University Press, 16 septembre 2005, 352 p. (ISBN 0-231-12724-3)
(en) Douglas Gomery, The Coming of Sound : A History, New York et Oxon, Routledge, 1^er janvier 2005, 216 p. (ISBN 0-415-96900-X, lire en ligne)

Bibliographie en anglais sur le kinétoscope