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Poori, a young boy, does not know who his parents are, and has been looking relentlessly for them. While sitting in a park bench, Poori asks the man seated beside him his name. When the man introduces himself as Sundararajan, Poori declares that he is his father. This affects Sundararajan's life, even derailing his plans of marrying Latha, his lover. The president of a mental hospital with a mentally-imbalanced daughter creates more trouble for Sundararajan. Ultimately, the truth about Poori's parentage is revealed: he is the illegitimate son of Kumar, a soldier, and the abandoned mother committed suicide, leaving Poori destitute. Attracted to Poori, Sundararajan and Latha decide to adopt him as their own son.
Yaar Paiyyan, a remake of the Bengali film Chheley Kaar (1954) written by Sriyuktha Jyothirmaye Roy, was directed by T. R. Raghunath and produced by N. S. Thiraviam and T. A. Dorairajan under Vijaya Films.[2] The screenplay was written by Sridhar, cinematography was handled by A. Vincent, editing by S. A. Murugesh,[3] and art direction was handled by Ganga.[1] The final length of the film was 15,600 feet (4,800 m).[2]
Yaar Paiyyan was released on 26 July 1957,[2] and emerged a success.[1] Sekar and Sundar jointly reviewed the film for Ananda Vikatan, praising Irani's performance.[7] Kanthan of Kalki wrote [clarification needed].[8]
^சேகர்; சந்தர் (4 August 1957). "யார் பையன்?" [Whose Son?]. Ananda Vikatan (in Tamil). Archived from the original on 24 January 2020. Retrieved 24 January 2020.
^காந்தன் (11 August 1957). "யார் பையன்?" [Whose Son?]. Kalki (in Tamil). pp. 86–87. Archived from the original on 22 September 2024. Retrieved 22 September 2024 – via Internet Archive.
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