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Wolfgang Carl Briegel (21 May 1626, Königsberg, Bavaria – 19 November 1712, Darmstadt, Germany) was a German organist, teacher, and composer.^[1]

Biography

As a boy he was a student in Nuremberg and sang in the Frauenkirche choir. He later studied at the University of Altdorf and became the organist at St. Johannis church and a grammar school teacher in Schweinfurt. In 1650 Duke Ernst the Pious appointed him to his court at Gotha as cantor and music tutor to his family,^[2] and he eventually rose to the post of Kapellmeister. He became well-known through his work in Gotha, and it was there that he became acquainted with Johann Rudolph Ahle and members of the Bach family.^[1]

Duke Ernst's eldest daughter, the wife of Landgrave Louis VI of Hesse-Darmstadt, called Briegel to Darmstadt as Kapellmeister in 1671. He stayed in this post until his death, but in his later years he was assisted by Christoph Graupner and Ernst Christian Hesse.^[1]

Music

Briegel was prolific in his sacred music output, completing 24 published collections between 1654 and 1709. He also wrote several "occasional" pieces and some secular works.^[2]

He attracted attention with the publication of his Evangelische Gespräch, a set of dialogue cantatas for the liturgical year in varied forms made up of solos, choruses and chorales.^[1] Another set of his works, the Evangelischer Blumengarten, is a group of motets and meditative choral songs. Among his solo songs are settings of odes by Andreas Gryphius, perhaps the only set of German Baroque songs that might be regarded as a cycle.^[1] At Darmstadt he produced several stage works, but none of that music has survived. His writing for voices is clear and eloquent, and his contrapuntal choruses are direct forerunners of those by Bach. His music enjoys an extraordinarily wide circulation throughout Germany and in Scandinavia,^[1] but is rarely heard outside of Europe.

Works

Stage Works

Von den freien Künsten, ballet, 2 July 1661, Gotha
Musikalischer Freudenwunsch, ballet, 1 Oct 1665, Gotha
Wedding ballet, 5 Dec 1666, Gotha
Das verliebte Gespenst, opera, 1673, Darmstadt
Triumphierendes Siegespiel der wahren Liebe (comédie, 1, J. Mylius), 8 June 1673, Darmstadt
Das verbesserte Parisurteil, opera-ballet, 6 Jan 1674, Darmstadt
Die beglückwünschte Majorennität des Fürsten, 22 June 1676, Darmstadt
Quadriga activa, festival piece, 25 Jan 1677
Bewillkommende Frühlingsfreude, ballet, 6 May 1683
Das Band der beständigen Freundschaft, singspiel, 8 May 1683, Darmstadt
Die siegende Weisheit, 8 Jan 1686
Die wahren Seelenruhe oder gekrönte Eustathia, tragi-comedy, May 1686, Darmstadt
Die triumphierende Tugend, opera-ballet, 29 July 1686, Darmstadt
L'enchantement de Medée, ballet, 11 Nov 1688, Darmstadt
Tugendgespräch, allegorical comedy, 19 Nov 1700
Other ballets and incidental music for plays, 1683, 1687, 1700, 1705

Cantatas

Evangelische Gespräch I–III, 5–10vv (Mühlhausen and Darmstadt, 1660–81); no.6 of vol.iii ed. F. Noack, Kirchenmusik der Darmstädter Musiker des Barock, iii (Berlin, 1955)
Evangelischer Blumengarten I–IV, 4vv, bc (Gotha, 1660–69); 6 pieces ed. K. Ameln and H. Kümmerling, Biblische Motetten für den Kirchengesang (Kassel, 1970)
J.S. Kriegmanns Evangelisches Hosianna, 1–5vv, insts, bc (Frankfurt, 1677); no. 5 ed. F. Noack, Vier kleine Kantaten (Wolfenbüttel, 1961), no.25 ed. E. Noack, Drei kleine Kantaten (Berlin, n.d.)
Musicalische Trostquelle, 4vv, 2/4 vn, bc (Darmstadt, 1679)
Musicalischer Lebensbrunn, 4vv, 4 insts, bc (Darmstadt, 1680)
Christian Rehefelds evangelischer Palmenzweig, 1–5vv, 2–5 insts, bc (Frankfurt, 1684); nos.15, 44, 56 ed. F. Noack, Vier kleine Kantaten (Wolfenbüttel, 1961)
J.G. Braunens, Cithara Davido-Evangelica, 4vv, 2 vn, bc (Giessen, 1685); no.62 ed. E. Noack, Drei kleine Kantaten (Berlin, n.d.)
Concentus apostolico-musicus, 3, 4vv, 2 vn, bc (Giessen, 1697)
Other unpublished works

Sacred vocal works

Psalter Davids, Teil I, 4vv (Gotha, 1654)
Geistlicher musikalischer Rosengarten, 1–5vv, insts (Gotha, 1658)
Geistlicher Arien, Teil I, 1, 2vv, 2 and more vn, bc (Gotha, 1660)
Geistlicher Arien, Teil II, 1, 2vv, 2 and more vn, bc (Mühlhausen, 1661)
Die Verschmähete Eitelkeit [songs after J. Rist] (Gotha, 1669), lost
Geistliche Oden Andreae Gryphii, 1v, 2 vn, bc (Gotha, 1670); facs. in Thomas
Zwölf madrigalische Trostgesänge, 5, 6vv (Gotha, 1670–71)
Geistliche Gespräche und Psalmen, 6vv, bc (Gotha, 1674)
Das grosse Cantional oder Kirchen-Gesangbuch (Darmstadt, 1687) [ed., with H. Müller]
Des Königs und Propheten Davids sieben Busspsalmen, 6vv/4vv, 2 vn, bc (Gotha, 1692)
Letzter Schwanen-Gesang, 4, 5vv, bc ad lib (Giessen, 1709)
Ten wedding and funeral songs, 2–6vv, insts (Gotha, 1653–70)
One funeral song, 4vv (Darmstadt, 1678)
Three funeral songs, 5vv (n.p., 1664–79)
Several occasional songs in collections (see Noack, 1963)

Instrumental works

10 Paduanen, 10 Galliarden, 10 Balletten, 10 Couranten, a 3, 4 (Erfurt, 1652)
Intraden, Sonaten, a 4, 5 (Leipzig and Erfurt, 1669)
Allemanden und Couranten (Jena, 1664); facs. edn 1970
Musikalisches Tafelkonfekt, 4vv, 2 vn, bc (Frankfurt, 1672)
Musikalischer Erquickstunden, 4vv, str, bc (Darmstadt, 1679); lost
MSS organ works, D-Dl; Acht Fugen durch die Kirchentöne, ed. W. Krumbach, Die Orgel, ii/19 (Köln, 1963)

Footnotes

^ ^a ^b ^c ^d ^e ^f Noack and Schröder, Grove online
^ ^a ^b Charlotte A. Leonard, Seventeenth-Century Lutheran Church Music with Trombones, Introduction, p. xi

References

Leonard, Charlotte A, ed. (2003). Seventeenth-Century Lutheran Church Music with Trombones. Vol. 131, Recent Researches in the Music of the Baroque Era. Middleton, Wisconsin: A-R Editions. ISBN 978-0-89579-542-7.
Noack, Elisabeth & Schröder, Dorothea (2001). "Briegel, Wolfgang Carl". In Sadie, Stanley & Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.‎