Wednesday to Come is the first play in a trilogy by New Zealand playwright Renée. The second play in the trilogy is Pass It On, and the third is Jeannie Once. The play follows the women of a family during the Great Depression in New Zealand.

Wednesday to Come by writer Renée is her best known play.^[1] It was written for a Playmarket script competition and Renée had received a New Zealand Arts Council Grant to support the writing.^[2][3] It was presented at a playwrights conference in May 1984 directed by George Webby who went on to direct the premier production.^[3]

Renée forged a path in New Zealand with her writing 'about working-class women, takatāpui and Māori' and Wednesday to Come included four generations of working class women.^[1] The first performance took place at Downstage Theatre in Wellington on 17 August 1984, directed by George Webby.^[4] The play was published in 1985 by Victoria University Press.^[5]

An example of Renée's feminist lens in the play is the statement by the character Iris speaking to her position as a working-class woman:

Who will remember us? We need someone because it seems to me that everyone’s forgotten about us. And even if they do remember it’ll only be bits. We’re the ones they leave out when they write up the books.^[1]

Wednesday to Come set during the 1930s is the first in a trilogy of plays featuring the same family. The second play is Pass It On (1986) set during the 1951 New Zealand waterfront dispute and the third play is a prequel Jeannie Once (1991) set in 1879 featuring the great-grandmother of Jeannie from Wednesday to Come.^[5]

• Granna – in her late seventies
• Mary – fifty-five
• Iris – thirty-four
• Cliff – fifteen
• Jeannie – thirteen
• Ted – thirty-six
• Molly – twenty-eight
• Dot – thirty-five

The play is set in early spring of 1934. It takes place in Mary's family house, halfway between Palmerston North and Wellington. Domestic tasks such as ironing, washing, dishwashing and cooking take place during the play. Granna, Iris, Mary, Jeannie and Cliff are in the kitchen, waiting for Ted to come home. He arrives with a coffin, and it becomes apparent that Ben has killed himself while working at a labour camp in the Great Depression.

Amateur productions include

• Theatrevue at the Left Bank Theatre, Hamilton, in April 1985, directed by Marc Shaw
• Marlborough Repertory Society at the Boathouse Theatre (Blenheim), March 1987, directed by Pam Logan
• Te Awamutu Little Theatre, in April/May 1987, directed by David Broadhurst
• Globe Theatre, Dunedin, in 1995, directed by Hilary Halba
• Riccarton Players in Christchurch, in 2005, director by Doug Clarke
• Hutt Repertory in 2012, directed by Doug Buchanan

The premier production at Downstage attracted positive reviews. It was described as a 'triumph',^[1] Downstage was rewarded for programming it, Renée was acknowledged as one of New Zealand 'finest playwrights', and reviewers also acknowledged the presentation of a women's perspective and experience's usually absent from centre-stage.^[3] The prime minister of the time David Lange attended and had his photo taken for the newspaper.^[3]

Playmarket published in 1986 a schools study guide of Pass It On and Wednesday to Come in their ACT Magazine (v.11 n.3 Jun 1986).^[8]

Extracts from Wednesday to Come were included in A Country of Two Halves, and Whaddarya?, productions by Young and Hungry National Schools Tour, which appeared at BATS Theatre in Wellington and toured schools nationally in 2018, in July 2021 respectively.^[9][10]