His debut came at the Royal Bourbon Exhibition of 1839. He participated again on several occasions, notably in 1841 (The Death of Galeazzo Sforza), 1848 (Isabella of Florence) and 1851 (A Family of Neophytes Surprised by the Praetorian Guard). Over the next decade, he would focus more on genre scenes.
From 1862 until his death, he was a regular contributor to exhibitions at the "Society for the Promotion of the Fine Arts". After 1873, he also exhibited in Genoa and Milan.[4] His largest showing came in 1877 at the National Exhibition in Naples, which was visited by King Victor Emmanuel II. Shortly after, he and several others were chosen to create a series of frescoes at the Temple of San Francesco [it] in Gaeta; designed many years before by his former fellow student, Domenico Morelli. The project was never completed.
Domenico Maggiore, Arte e artisti dell'Ottocento napolitano e scuola di Posillipo: biografie di pittori, incisori, scultori e architetti. Supplemento alla storia dell'arte italiana, Maggiore, 1955
Giuseppe Luigi Marini, Il Valore dei dipinti italiani dell'Ottocento e del primo Novecento: l'analisi critica, storica ed economica, Allemandi, 2001, ISBN88-422-1051-X
Roberto Rinaldi, Pittori a Napoli nell'Ottocento, Libri & libri, 2001