Félix-Ludger Rossignol (12 April 1839 – 26 October 1903), known as Victorin de Joncières (French pronunciation:[viktɔʁɛ̃dəʒɔ̃sjɛʁ]), was a French composer and music critic.[1]
Biography
Son of a political writer and editor of La Patrie and Constitutionel, he was born at Paris, and his first musical lessons were from aunts. Leaving the Lycée Bonaparte at 16, he decided to study to be a painter, entering the studio of Picot.[2] However, Joncières kept up his musical interest and had a short opéra comique performed by students of the Conservatoire de Paris, and was advised to abandon art and take up music. He entered the Conservatoire and followed the classes of Simon Leborne in fugue and counterpoint. However, after hearing one of Richard Wagner's first concerts in the French capital, he had a disagreement with the professors, and in 1860, abandoned his studies to devote himself to composition.[2]
His violin concerto was played at the Conservatoire in 1870 by Jules Danbé, and a Symphonie romantique at the Concert national in 1873.[2] His opera Dimitri (after Schiller's play Demetrius) had more success in 1876 and was revived in 1890 at the Opéra-Comique.
From 1871 to 1900, he wrote on music for La Liberté (using the pseudonym "Jennius"[4]), penning biting criticisms of earlier opéra comique composers and of Berlioz.
Although Joncières presented his candidature for the Institut de France he was refused.[1] He died in his native city of Paris.
Works
Stage
Incidental music for Hamlet, 1864
Sardanapale (words by Henry Becque after Byron), Théâtre Lyrique, 8 February 1867
Les Derniers jours de Pompéi, Théâtre Lyrique, 21 September 1869
^ abcFétis F-J. Biographie universelle des musiciens. Paris, 1878.
^Walsh, T.J.: Second Empire Opera. The Théâtre-Lyrique Paris 1851–1870 (London: John Calder, 1981).
^"Jennius", D'Heylli G. Dictionnaire des pseudonymes. New (3rd) edition. Dentu & Cie., Paris, 1887. Gallica.
Deshoulières, Nicolas, L’Œuvre critique et musicale de Victorin Joncières (1839-1903), thèse de doctorat sous la direction de J.-P. Bartoli, Paris-Sorbonne, 1151 p., 2018.