Bradford Lee Eden describes Splintered Light as "the most important and influential book on both language and music in Tolkien's works", discussing how the two are interwoven as "central themes" throughout The Silmarillion.[10]
J. S. Ryan, reviewing Tolkien's Legendarium for VII, called it a "luminous companion" to the 12 volumes of The History of Middle-earth, and "clearly indispensable".[11] Ryan stated that it "pays a much merited tribute"[11] to Christopher Tolkien's six decades or more of work on his father's writings, indeed from his childhood as one of the original audience for The Hobbit. Ryan describes the 14 essays as "carefully argued", noting among other things Bratman's description of the 4 styles Tolkien used in the Legendarium as "Annalistic, Antique, Appendical, and Philosophical".[11]
Gergely Nagy, in Tolkien Studies, writes of Interrupted Music that it "opens ways" for other scholars working on The Silmarillion, and that as a good book should, it raises many research questions. He notes that Flieger takes the "interrupted music" of the Ainulindalë as a metaphor, "although probably accidental", for Tolkien's unfinished legendarium. Nagy finds the book's argument and writing "exemplarily clear and comprehensible".[12]
^Bratman, David (2008). "Review of The Evolution of Tolkien's Mythology: A Study of the History of Middle-earth, by E. A. Whittingham". Mythlore. 26 (3/4): 201–203. JSTOR26814594.
^ abcRyan, J. S. (2001). "[Review] Tolkien's Legendarium: Essays on The History of Middle-earth by Verlyn Flieger, Karl F. Hostetter". VII: Journal of the Marion E. Wade Center. 18: 109–111. JSTOR45296793.