Radio analysis has proved the presence of workshop additions (in particular to the mirror) above an original, probably by Titian, based on the Woman at the Mirror.[2]
Description
The painting portrays an idealized beautiful woman, a model established in the Venetian school by Titian's master Giorgione with his Laura. She holds an oval mirror with a frame, which reflects some jewels and a maid who is searching in a case.
The woman was portrayed by Titian in numerous other works of the period, including the Woman at the Mirror, Salome and Flora, as well as some Holy Conversations.[3]