User:Quark1965
Dear Browser,
I am new to this idea. I hope in the coming months I can contribute to this community. My beloved wife died on December, 30, 2005. I feel I have an obligation to disseminate what information I can give (from an educational perspective).
I leave my CV. At this juncture ... I need time to think of my contributions. With regards. TQ.
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Educated in London, England at The Central School of Speech & Drama and The School of Slavonic & East European Studies (University of London), Tim has worked in film, television and theatre since 1985. Working, primarily, in the field of digital post-production supervision and digital film. His work has included technical supervision credits for the television versions of _Last Emperor, The (1988)_ (cv), _Adventures of Baron Munchausen, The (1989)_ (cv), _Erik the Viking (1989)_ (cv), _Lawrence of Arabia_ and _Sheltering Sky, The (1990)_. Between 1988-1990 he was Head of Film Services at the Rank Organisation, responsible for the digital mastering of features for Rank Film Distributors, Columbia Tri-Star Pictures and Warner Bros., Burbank. From 1990 he worked more closely with digital systems e.g. Avid and AMS/Neve technology, and their application to the film and broadcast television environments. From 1996-1997 he worked exclusively for The Computer Film Company (CFC) in London, where further credits include digital film work for: Dennis Potter's _Karaoke (1996)_ (cv), _Saint, The (1996)_ (cv), _Amy Foster (1997)_ (cv), _Photographing Fairies (1997)_ (cv), _English Patient, The (1997)_ (cv) and _Event Horizon (1997)_ (cv). While at CFC he also worked on a number of 70mm IMAX films for the IMAX Corporation, based in Toronto, Canada. During 1989-1991, Tim also worked as a producer in the field of interactive video - applying this new technology and knowledge through what was then his own company, Kaméra. In the past, he has also worked in professional theatre, and in particular, co-produced and directed the lesser-known play Leonardo Was Right? (1976) by Roland Topor, which played the London fringe and ended with a run at the Edinburgh Festival in 1997. ____________
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