The house was built on the site of the hamlet of Upton, which was destroyed in about 1500 when the land was cleared for pasture.[1] The estate passed through various hands until the early 17th century when it was bought by Sir William Danvers.[2] It remained with the Danvers family until 1688 when Sir Rushout Cullen purchased the estate for £7,000 (equivalent to £1,590,000 in 2023).[3] Cullen built the house for himself in about 1695.[2]
In 1757 the house was bought by banker Francis Child[4] for use as a hunting lodge and it remained in the Jersey family until the end of the 19th century when it was held by George Child Villiers, 5th Earl of Jersey.[5] In 1897, the estate was bought by brewer Andrew Richard Motion, grandfather of the writer Andrew Motion.[6] In 1927 the estate was acquired by Walter Samuel, 2nd Viscount Bearsted, who inherited a fortune from his father Marcus Samuel, the founder of the oil company Shell Transport & Trading. His wife Lady Bearsted worked with "Kitty" Lloyd Jones to transform the house's garden during the early 1930s.[7] Kitty is credited for converting an area if marshland into the bog garden, centred on a natural spring in the garden.[7]
Lord Bearsted donated the house, gardens and art collection to the National Trust in 1948.[8] Lord Bearsted's son, the 3rd Viscount, lived at Upton from 1948 until his death in 1986 and added to the gift to the National Trust the collection of porcelain. On the death of the 3rd Viscount, the furniture and other items on view in the rooms were offered to the nation by his daughter, Hon. Mrs. R. Waley-Cohen, through the "in lieu" system, on condition that they remain at Upton and on view to the public. Mrs. Waley-Cohen continued to live in the house until 1988, when the family moved to another property on the estate. In October 1991, she offered for sale by public auction, a large number of items which were considered surplus to requirements. The sale, by Christie's, took place at the house, in a total of 1083 separate lots, and included pictures, furniture, porcelain, silver, objects and carpets.[5]
Description
Art-deco style bathroom
Upton is a long low house built of local yellow ironstone.[9] It was considerably expanded from 1927 to 1929 for the 2nd Viscount Bearsted by Percy Richard Morley Horder who retained the Carolean style appearance of the exterior[10] while introducing some Art Deco elements in the interior, particularly in the bathroom for Lady Bearsted, where the walls are covered in aluminium leaf. The style of interiors at Upton has been described by art critic Osbert Lancaster as Curzon Street Baroque.[11]
Footage of front and rear of the house
A main attraction of Upton is the garden. A lawn, with huge cedar trees, sweeps gently down from the house and below is an extensive terraced garden. The garden features a kitchen garden, a series of herbaceous borders and a large lake with water lilies in a small valley. The terracing, unseen from the house and on a first visit unsuspected, contains the National Collection of Aster. In use since the 12th century, the gardens were largely transformed by Kitty Lloyd-Jones for Lady Bearsted in the 1920s and 1930s, including the creation of a rare Bog Garden on the site of medieval fish ponds.[12]
Art collection
Perhaps uniquely among country houses owned by the National Trust, its significance lies principally in its art collection. The house is presented more as an art gallery than as a private home, although care has been taken to restore the house to how it looked in the 1930s.[13] It contains a unique Art Deco bathroom and a collection of early Shell advertising posters, together with some of their original artwork, by such artists as Rex Whistler.
Massacre of the Innocents (c.1565) attributed to Pieter Brueghel the Younger (a copy of the original by Pieter Bruegel the Elder in the Royal Collection): in 2014 an appeal was launched to raise funds to help conserve the painting.[17]
The Labourers (1779), The Haymakers (1783) and The Reapers (1783) by George Stubbs
This room was chosen by Lord Bearsted as a place to display pictures with a sporting theme, consistent with the use of the estate for sporting pursuits.[14] The room also contains a set of dining chairs embroidered by Marcus Samuel, the 3rd Viscount, as a means of rehabilitation to recover from injuries received during the Second World War.[14]
Long Gallery
The Long Gallery
The present long, narrow room was created by combining three smaller rooms during the renovations of the 1920s.[19] The art in this room includes an array of Dutch Masters. A series of display cases designed by Percy Richard Morley Horder[20] also showcase a range of English porcelain from Chelsea, Derby and Bow as well as the French factories in Vincennes as Sevres, predominately featuring Rococo figures and decorative objects.[21]
Porcelain Lobby
The highlights of porcelain collection are displayed here, focusing on masterpieces of 18C French ceramics. The works originate from both the Vicennes and the Sevres factories and include:[22]
A coffee cup and saucer decorated with images of Benjamin Franklin, dating from his time as French ambassador
The Picture Gallery Passage is a narrow hallway leading to the Picture Gallery, in which hangs a number of masterpieces from the collection.[23]
Picture Gallery
Following the renovations of the 1920s, this room was used as a squash court, and a gallery from that time remains visible. The room was then converted by architect Ernest Joseph[16] into a gallery space in 1936, and serves as the display space for the 15th and 16th-century paintings of the collection.[24]
Ferguson, Patricia (2015). "Chelsea porcelain groups and. figures, including Apollo and the Muses, from the collection of Marcus Samuel, 1st Viscount Bearsted". Transactions - English Ceramic Circle. 26: 49–68. OCLC2260764.
