PROFILPELAJAR.COM

Truly, Madly, Deeply
Truly, Madly, Deeply
	Reproduction poster
Directed by	Anthony Minghella
Written by	Anthony Minghella
Produced by	Robert Cooper
Starring	Juliet Stevenson; Alan Rickman; Bill Paterson; Michael Maloney;
Cinematography	Remi Adefarasin
Edited by	John Stothart
Music by	Barrington Pheloung
Production; companies	BBC Films; Lionheart; Winston
Distributed by	The Samuel Goldwyn Company
Release dates	10 November 1990 (London Film Festival); 3 May 1991 (US); 16 August 1991 (UK);
Running time	106 minutes
Country	United Kingdom
Language	English
Box office	$1,554,742

Truly, Madly, Deeply is a 1990 British fantasy drama film made for the BBC's Screen Two series, by BBC Films, Lionheart and Winston Pictures. The film, written and directed by Anthony Minghella, stars Juliet Stevenson and Alan Rickman.

Plot

Nina, an interpreter, is beside herself with grief at the recent death of her boyfriend, Jamie, a cellist. When she is on the verge of despair, Jamie reappears as a "ghost" and the couple are reunited. Nina is ecstatic.

But Jamie tells her about his days while she is at work, and one dialogue suggests she should embrace the life around her; one of these is about a memorial plaque in a park about a dead child and how parents who read it feel an immediate, compelling need to hug their children.

The returned Jamie also reminds her that he also irritated her, and as a ghost he manifests behaviours she'd have little patience for – turning up the central heating to stifling levels, moving furniture around and inviting back "ghost friends" to watch videos. This infuriates her, and their relationship deteriorates.

She meets Mark, a psychologist, to whom she is attracted, but she is unwilling to become involved with him because of Jamie's continued presence. Nina continues to love Jamie but is conflicted by his self-centered behaviour and ultimately wonders out loud, "Was it always like this?" Over Nina's objections, Jamie decides to leave to allow her to move on.

Towards the end of the film, Jamie watches Nina leave and one of his fellow ghosts asks, "Well?" and Jamie responds, "I think so... Yes." At this point the central conceit of the movie has become clear: Jamie came back specifically to help Nina get over him by tarnishing her idealized memory of him.^[3]

Cast

Juliet Stevenson as Nina
Alan Rickman as Jamie
Jenny Howe as Burge
Carolyn Choa as Translator
Bill Paterson as Sandy
Christopher Rozycki as Titus
Keith Bartlett as Plumber
David Ryall as George
Stella Maris as Maura
Ian Hawkes as Harry
Deborah Findlay as Claire
Vania Vilers as Frenchman
Arturo Venegas as Roberto
Richard Syms as Symonds
Michael Maloney as Mark

Production

Minghella said he wrote the script specifically as "a vehicle for [Stevenson] to express all her talents. She plays piano, likes dancing and has a quirky side to her which she usually can't express in the classical parts she is asked for."^[4] The title comes from a word game played by the main characters, in which they challenge each other to by turns repeat and add to a series of adverbs describing the depths of their mutual affection. The working title for the film was 'Cello', a reference not only to the cello within the film, but also to the Italian word 'cielo' for heaven. The film was made-for-TV, and produced in a 28-day shooting schedule for just $650,000.^[3]

It was shot on location in London and Bristol, with external shots in Highgate and on the South Bank. Stevenson said in 2012 that it was the favourite role of her career,^[5]^[6]^[7] commenting that the shoot was like a party.^[5]

Release

The film had its world premiere on 10 November 1990 at the National Film Theatre as part of the London Film Festival with the title Cello.^[8]

Reception

The film was critically successful, winning several awards including a BAFTA for best original screenplay. (Alan Rickman and Juliet Stevenson received Best Actor and Best Actress, and Anthony Minghella Most Promising Newcomer, from the 1991 Evening Standard British Film Awards.^[9]) It became a hit in the American arthouse circuit and Minghella subsequently was offered work by every major studio in Hollywood.^[4] The film's combination of serious themes with comic scenes, music and strong performances from the actors was noted by critics. Roger Ebert called it "a Ghost for grownups" (a common comparison because of the shared theme of lovers returning as ghosts and the concurrent releases of the films) and considered the film to reveal "some truths that are, the more you think about them, really pretty profound".^[10]

Review aggregator Rotten Tomatoes reports a 76% approval rating based on 37 reviews, with an average rating of 6.8/10. The website's critics consensus reads: "Largely thanks to charming performances from Alan Rickman and Juliet Stevenson, Truly Madly Deeply is an afterlife romance with infectious spirit."^[11] At Metacritic, the film has a weighted mean score of 72 out of 100 based on 16 reviews.^[12]

Awards and nominations

Year	Award	Category	Nominated work	Result
1992	British Academy Film Awards	Best Actor	Alan Rickman	Nominated
		Best Actress	Juliet Stevenson	Nominated
		Best Original Screenplay	Anthony Minghella	Won
1992	Evening Standard British Film Awards	Best Actor	Alan Rickman	Won
		Best Actress	Juliet Stevenson	Won
		Most Promising Newcomer	Anthony Minghella	Won
1992	London Film Critics' Circle	Best Actor of the Year	Alan Rickman	Won
1992	London Film Critics' Circle	Best Actress of the Year	Juliet Stevenson	Won
1991	New York Film Critics Circle	Best New Director	Anthony Minghella	Nominated
1991	New York Film Critics Circle	Best Actress	Juliet Stevenson	Nominated