It is one of the leading performing arts companies in Japan.[1]
History
European classical ballet, heavily influenced by Russian methods, was introduced to Japan following the end of World War II. By 1959, there were at least 18 classical ballet schools found in Tokyo run by ballet companies, with perhaps 100 throughout Japan.[2]
Tokyo Ballet was founded in 1964. It began as a performance company for graduates of one of Tokyo's first classical ballet schools, Tokyo Ballet Gakko. It was soon directed by Tadatsugu Sasaki. Sasaki envisioned a large company with well-trained ensemble dancers, and developed ties to the international ballet community. In 1966, the Company embarked on its first overseas tour to Moscow, Leningrad and Kazan, which led it to being awarded the title of “Tchaikovsky Memorial” from the Soviet Ministry of Culture.
The company's first European tour took place in 1970. International ballet companies were soon brought to perform in Tokyo, and Tokyo Ballet expanded its international touring. The cultural exchange included works by the international choreographers. The Tokyo Ballet currently has 21 works by Maurice Béjart in its repertory;[3] Béjart bequeathed much of the performing rights of his works to Tokyo Ballet.
Repertoire
The Tokyo Ballet has a wide range of repertoire from classical full-length ballets to works of contemporary choreographers. In particular, the company has original works created by three choreographers representing the contemporary ballet scene: Maurice Béjart'sThe Kabuki (1986), Bugaku (1989) and M (1993), Jiří Kylián’s Perfect Conception (1994) and John Neumeier's Seven Haiku of the Moon (1989) and Seasons – The Colors of Time (2000).
The Company has also staged contemporary choreographers’ works, such as Vladimir Vasiliev’s Don Quixote (2001), Natalia Makarova’s La Bayadère (2009), Mats Ek’s Carmen (2013), John Neumeier’s Romeo and Juliet (2014), William Forsythe's In the Middle, Somewhat Elevated (2015), Anna-Marie Holmes' Le Corsaire (2019).