In April 1941, the Third Reich invaded the Kingdom of Yugoslavia. The protagonist, Miloš, witnesses violent death on three separate occasions - at the beginning, during, and at the end of the Second World War. The first story takes place at a train station where, after the outbreak of the April War, mobilized members of the royal army gather and declare a photographer without identity papers and with a speech impediment a German spy and execute him. The second story shows Miloš, who joined the partisans, pursued by German soldiers. He meets a fellow partisan who, after they flee together through a swamp, sacrifices himself for him, allowing Miloš to escape. The third story takes place shortly after liberation. Miloš, now an OZNA officer, must decide whether a group of German collaborators, including a girl he is attracted to, will be shot.
The theme of the film is death from the perspective of one man, in three forms: as witness of it, as a victim of it, and as an executor.
Three is an anti-war film. It shows the true face of war - its horrors and its absurdity. The real protagonist of this film is death. In this film, it appears in three forms - as punishment, as victim, and as an expression of the senselessness of war. One needs to be against war, but one needs to be against war as a matter of principle, against anybody who wages war, and also against those who create reasons for war.
A review from the New York Times from 1967 after the film's nomination for Best Foreign Film at the Academy Awards reads:
"War’s utter bestiality and waste, usually illustrated by armies, is brought into sharp focus by a talented few in “Three,” a prize-winning Yugoslav drama that treats its bleak and harrowing subject with a grim but poetic artistry. It had a showing at the New York Film Festival last year, and is now at the Studio Cinema and 72d Street Theaters. The film is mystifyingly abrupt in its transitions, but its effects, physical and intellectual, are unmistakably forceful and chilling. The director, Aleksandar Petrovic, with the aid of a sparse script and stunning photography by Tomislav Pinter, has pointed up war’s ravages as it affects one partisan’s fights in one small sector of the conflict. In each of three events he is part of, needless death brought about by fear, despair and defeat."[4]
The Yugoslav Film Archive, in accordance with its authorities based on the Law on Cultural Heritage, declared one hundred Serbian feature films (1911-1999) as cultural heritage of great importance on December 28, 2016. Three is also on that list.[8]
Three was the first Yugoslav movie released in the United States (in 1966). Aleksandar Petrović's films Three and I Even Met Happy Gypsies provided the world an introduction to Yugoslav cinema.
Vlastimir Sudar: Portrait de l’artiste en tant que dissident politique: La vie et l’œuvre d’Aleksandar Petrovic (The life and work of Aleksandar Petrovic: A portrait of the artist as a political dissident – INTELLECT, Bristol, INTELLECT, Chicago 2013)
