Short story collection by Mariana Enriquez
Things We Lost in the Fire First edition |
Author | Mariana Enriquez |
---|
Original title | Las cosas que perdimos en el fuego |
---|
Translator | Megan McDowell |
---|
Language | Spanish |
---|
Genre | Short Stories |
---|
Publisher | Anagrama |
---|
Publication date | 2016 |
---|
Publication place | Argentina |
---|
Published in English | 2017 |
---|
Media type | Hardcover |
---|
Pages | 208 |
---|
ISBN | 978-0451495112 |
---|
Things We Lost in the Fire: Stories (Spanish: Las cosas que perdimos en el fuego) is a short story collection by Mariana Enriquez, published in 2016 by the Editorial Anagrama.[1] Originally published in Spanish, it was translated into English by Megan McDowell in 2017.[2] The work has 12 stories framed in the horror genre, in which Enríquez explores social issues such as depression, poverty,[3] eating disorders,[4] inequality and gender violence.[5][6] The name of the work is taken from the album Things We Lost in the Fire, released in 2001 by the American band Low, of which Enríquez is a fan.[7]
"The Intoxicated Years" was published in Granta.[8] "Spiderweb" appeared in The New Yorker.[9]
Contents
Story
|
"The Dirty Kid"
|
"The Inn"
|
"The Intoxicated Years"
|
"Adela's House"
|
"An Invocation of the Big-Eared Runt"
|
"Spiderweb"
|
"End of Term"
|
"No Flesh Over Our Bones"
|
"The Neighbor's Courtyard"
|
"Under the Black Water"
|
"Green Red Orange"
|
"Things We Lost in the Fire"
|
Literary significance and reception
Reviews of the collection highlighted Enriquez's dark and haunting style. A review in The Guardian called the collection "gruesome, violent, upsetting – and bright with brilliance."[10] Jennifer Szalai, writing in The New York Times, wrote "[Enriquez] is after a truth more profound, and more disturbing, than whatever the strict dictates of realism will allow."[11]
In a review in Vanity Fair, Sloane Crosley was impressed by Enriquez's skill at using supernatural stories to explore Argentina's political turmoil: "In her hands, the country’s inequality, beauty, and corruption tangle together to become a manifestation of our own darkest thoughts and fears."[12]
References