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There Goes the Groom
There Goes the Groom
	theatrical poster
Directed by	Joseph Santley
Screenplay by	S.K. Lauren; Dorothy Yost; Harold Kussel
Based on	Let Freedom Swing; 1937 story in American Magazine; by David Garth
Produced by	Albert Lewis
Starring	Ann Sothern; Burgess Meredith; Mary Boland
Cinematography	Milton R. Krasner
Edited by	Jack Hively
Production; company	RKO Radio Pictures
Distributed by	RKO Radio Pictures
Release date	October 29, 1937 (US);
Running time	65 minutes
Country	United States
Language	English

There Goes the Groom is a 1937 screwball comedy film directed by Joseph Santley and starring Ann Sothern and Burgess Meredith. It was Burgess Meredith's second film and his first screen comedy; his first film, Winterset (1936), was a serious romantic drama.^[1]

Plot

Dick Matthews (Burgess Meredith), just out of college, heads for the gold fields of Alaska to find his fortune. When he returns to marry his girl friend Janet Russell (Louise Henry), he discovers that she is no longer interested him. When her mother learns that the fellow has struck it rich, she changes her daughter's mind. Unfortunately, the young man has become enamored of the girl's little sister Betty (Ann Sothern).^[2]

Cast

Ann Sothern as Betty Russell
Burgess Meredith as Dick Matthews
Mary Boland as Mrs. Russell
Onslow Stevens as Dr. Becker
William Brisbane as Potter Russell
Louise Henry as Janet Russell
Roger Imhof as Hank
Sumner Getchell as Billy Rapp
George Irving as Yacht Captain
Leona Roberts as Martha
Adrian Morris as Eddie - Interne

Production

The working title for the film was "Don't Forget to Remember". The part played by Burgess Meredith was originally scheduled to be played by John Boles.^[1]

Critical response

Variety said about the film, "The yarn is well-worn around the edges, but ... buoyantly and skillfully acted by each least or large member of the cast... The direction, camera and production are all first-rate. Theatres catering to smart clientele should especially look into There Goes the Groom," while The New York Times said it was "an amiable comedy [which] ... may best be described as a cinematic exercise for Burgess Meredith, who dominates the whole affair. His performance, like the film, is occasionally brilliant, but on the whole does not merit more than a polite, indulgent commendation... [He] appears to be more at ease before the camera than he was in the memorable Winterset. His approach is less strained and he seems to have dropped most of his stage mannerisms."^[3]