The Wapping Project is a UK London-based arts organisation and a working name of Women's Playhouse Trust (WPT) since 2000. WPT is a registered charity (286384) established in 1981 and incorporated in 1982.[1] The project works as a commissioner and producer of art.[2]
History
Throughout the 1980s and the early 1990s, WPT worked predominantly at the Royal Court Theatre, London. The first WPT production was a revival of Aphra Behn's The Lucky Chance, performed at the Royal Court in 1984, starring Alan Rickman and Harriet Walter.[3] In 1993 WPT began to mount work in the derelict Wapping Hydraulic Power Station in the East End of London. WPT purchased the building from London Development Agency and invested £4 million in converting it into an arts centre. The conversion was designed and overseen by architectural practice Shed 54.[4] The new gallery space opened on the 10 October 2000.[5] WPT sold the Wapping Hydraulic Power Station in 2013.[6]
WPT's founder and artistic Director, Jules Wright, who was diagnosed with cancer in February 2015 and died on 21 June 2015.[7]
WPT continues its artistic work under its working name The Wapping Project, headed by its former Deputy Director, Marta Michalowska, and a longstanding collaborator of Jules Wright, Thomas Zanon-Larcher.[citation needed]
Recent work by The Wapping Project
- Andrea Luka Zimmerman's films Wayfaring Stranger (2024) and feature documentary Erase and Forget (2018) [8]
- Shona Illingworth's installation Topologies of Air[9]
- Mairéad McClean's installation Making Her Mark[10]
References
External links