The Sunset Violent is the fourth studio album by English band Mount Kimbie, released on 5 April 2024 by Warp Records. The album is Mount Kimbie's first as a quartet, and also features contributions to two tracks by King Krule. It was written and recorded in Yucca Valley, California, and finished in London. The Sunset Violent is an indie rock album, a significant departure from their prior electronic style.
Background
The album is Mount Kimbie's first as a quartet, after the primary duo, Dominic Maker and Kai Campos, invited Andrea Balency-Béarn and Marc Pell to join the band.[1] It also features contributions from King Krule, who had previously appeared on two songs from 2013's Cold Spring Fault Less Youth,[2] one from 2017's Love What Survives,[3] and the 2018 standalone single "Turtle Neck Man".[4]
The Sunset Violent is the band's first studio album since Love What Survives,[1][5] not counting the 2022 double albumMK 3.5: Die Cuts | City Planning whose two halves were made separately by Maker and Campos.[6] Following MK 3.5, Maker and Campos focused on solo ventures: Maker took on producing sessions with artists including SZA, Jay-Z, Arlo Parks, and Rosalía, while Campos started a residency at Rinse FM.[7]
Though the band originated in electronic music, the band were open from the beginning about their influences including non-electronic music, including Maker citing rock bands such as TV on the Radio and Yeah Yeah Yeahs.[8] They had also previously dabbled in rock sounds, particularly with post-punk on Love What Survives.[8]
Release
On 13 September 2023, the band released the single "Boxing", featuring King Krule and originally a Bandcamp exclusive available only for a week.[9] On 2 November, they released the single "Dumb Guitar",[10] and announced a tour of Europe and the US in April and May, featuring George Riley, Nabihah Iqbal, and Chanel Beads.[1][10]
The album was announced on 7 February 2024, with a release date of 5 April by Warp.[5] The announcement came with the release of the album's lead single, "Fishbrain", and a music video directed by Tegen Williams which was inspired by the charcoal animations of South African artist William Kentridge.[1][11]
The fourth single, the album's closing track "Empty and Silent", was released on 13 March.[12] It features vocals from King Krule, and was released with a music video directed by Gregory Prestön.[12] The track was described as a "pretty, playful piece of music built from warm Tangerine Dream synth-tones and shambling indie jangle" where King Krule's "echo-drenched voice sounds perfectly at home."[12]
A music video for "Shipwreck" was released on 3 April, directed by Jay Izzard and based on a concept from the band and Duncan Loudon.[13]
Writing and recording
The album was written and recorded in a "disused frat house" in Yucca Valley, California.[14] The goal behind choosing Yucca Valley was to find a space near Los Angeles, where Maker was living at the time, but without too many distractions.[14] Campos said he didn't think much of working in the desert at first, but after being out there for a bit, he realized that everything they had been writing came off "desert rocky", particularly in the way they applied reverb to their guitars.[14] They spent six weeks in California, keeping themselves sane by waking up early to catch the European Football Championships.[14] With a collection of demos, the group returned to London to finish the record, first setting up in an Airbnb before transitioning to a proper studio in Tottenham.[14][15]
Campos described the recording process as different from their previous albums because "fundamentally we were both doing very different things", enabling them to "observe somewhat objectively what the other person was doing and offer encouragement and support because you were not directly involved in the same way."[14] Maker and Campos gave praise to Balency-Béarn and Pell for their contributions to the record, with Maker calling them "endlessly enthusiastic and brilliant musicians" whose energy "really helped to shape the record".[14] Unlike previous Mount Kimbie projects where they would come in after the creation process was finished and record as session musicians, the two were much more hands-on for The Sunset Violent, including Balency-Béarn's contributions to vocals and Pell's ideas for percussion.[14]
Discussing his impression of Yucca Valley, Maker said "The thing that I always think of is scale. It's all low rise housing, vast desert landscapes and sunsets. It's where you start getting the huge big trucks that everyone's driving; everything's a big gulp drink, everything is supersize."[7]
According to the review aggregator Metacritic, The Sunset Violent received "generally favorable reviews" based on a weighted average score of 76 out of 100 from 7 critic scores.[21]
Loud and Quiet's Sam Walton called the album "an ambitious and carefully constructed record that feels far grander than its modest 37 minutes would suggest, full of compelling, forward-facing rock music made up of compositionally complex but still accessible songs. It's also the band's best yet."[17]Exclaim!'s Spencer Nafekh-Blanchette called the album "oftentimes soft and subdued, sometimes fast and exciting, but constantly strange and disorienting in the best of ways", and said that the band "throw things at the wall and see what sticks — those flung with high velocity make the most impact."[23]
MusicOMH's Ben Devlin wrote that the album "feels like the completion of a journey: Mount Kimbie have become a very different act with a sound palette that isn't beholden to any one genre, and on track after track they prove themselves to be masters of their own style."[18]Flood Magazine's Jeff Terich wrote that while "not every idea here is necessarily a revelation ... the overall impression is one of a band enjoying the possibilities of a new approach and a new configuration, breaking conventions and shattering expectations—and seemingly having a lot of fun doing it."[8]AllMusic's Paul Simpson said the album was "easily the most unified record Mount Kimbie has produced, especially in stark contrast to their previous effort."[22]
Track listing
All tracks are written by Kai Campos, Dominic Maker, and Andrea Balency-Béarn, except where noted.
