The Scarface Mob is an American film noircrime film directed by Phil Karlson and starring Robert Stack. It consists of the pilot episodes for the TV series The Untouchables (1959) that originally screened as a two-part installment of Westinghouse Desilu Playhouse on April 20 and 27 1959. The episodes were cut together and released theatrically as a stand-alone feature outside America in 1959 and inside the US in 1962.[2][3]
Premise
In 1929 Chicago, Federal investigator Eliot Ness struggles to win the fight against Al Capone. He decides to form a special team of reliable, dedicated, honest law enforcement officers.
Desi Arnaz optioned the rights to Eliot Ness' book about fighting Al Capone and decided to turn it into a two-part episode of Westinghouse Desilu Playhouse under the title of "The Untouchables". It was always intended to be released theatrically in Europe.[4]Westinghouse paid $200,000 for the episodes but they cost $400,000. Arnaz was willing to risk the short fall in order to get greater production values and highly regarded cast like Robert Stack and Neville Brand.[1]
Stack says the lead role was first offered to Van Heflin who turned it down, then Van Johnson who accepted but his wife advised him not to do it. Then Stack was offered; he was reluctant but his agent persuaded him to do it - he says his costumes were fitted for Van Johnson.[5]
Stack later wrote that Phil Karlson was "ideally suited" to direct the show because "he can deal in violence and brutality on the screen, and some of his work was regarded as the precursor of Sam Peckinpah's. But he's a quiet, gentle man who wears a ratty-looking red sweater which he thinks brings him luck... His personal, Joe Milquetoast manner contrasted sharply with the controlled mayhem of his product."[6]
Stack said Brand, a real life war hero, was "schooled in violence and perfect as Capone... even though his Italian accent left something to be desired."[7] Stack says he based his performance on Ness on a "composite of three of the bravest men I ever met": Audie Murphy; Buck Mazza, Stack's former roommate in the navy and a war hero; and a stuntman named Carey Loftin. "All three had one thing in common," wrote Stack, "they were the best in their fields and they never boasted!"[7] Although Stack considered himself as a character actor more than a leading man, he deliberately decided to downplay Ness against the flashiness of the villains.[8]
The network wanted someone different from Walter Winchell to do the narration but Desi Arnaz insisted on the columnist because "he was the period."[9]
Reception
Critical
Reviewing part one, the New York Times said "while it was not superlative drama or a novel theme, it held the interest. Whether it will be worth two chapters remains to be seen."[10]
The Los Angeles Times called it "a harsh and ugly slab of violence, expertly done with the true metal of history."[11]
The New York Times, reviewing part two, praised the quality of the production design.[12]
Ratings
According to Stack the show earned a 36.1 rating.[6]
Four days after the series aired, the ABC network offered Desilu $3,620,000 to make 32 episodes of a series about The Untouchables. ABC held 35%, Desilu 35% and the rest was held by Stack and other outside interests.[1]
Neville Brand later reprised his role as Capone in "The Big Train" a two part episode of The Untouchables.
The two episodes were cut together and released theatrically as Alcatraz Express.
Plot
Al Capone is about to be sent to prison in Atlanta on a tax-evasion charge. Elliot Ness insists that Capone be taken by train to San Francisco. Capone tries to escape while on board.
Reception
Reviewing the original episodes, the Los Angeles Times called it "about the slickest two hours of warfare ever shown on the tube."[13]
The Unhired Assassin was another two-part episode of The Untouchables that was released theatrically, this time under the title The Gun of Zangara. It focused on Giuseppe Zangara's attempted assassination of Franklin D. Roosevelt.[14]
^ abcBush, Thomas W. (7 July 1959). "Movies' New Role: More Producers Turn To TV Films to Offset Drop in Theater-Going How Desilu Builds Profits; Barbara Stanwyck, Betty Hutton Make Switch Taking a Flyer on Pilots Movies' New Role: More Producers Turn Out Films for Television". Wall Street Journal. p. 1.
^Lambert, David (9 May 2017). "The Scarface Mob". TV Shows on DVD. Archived from the original on 12 May 2017. Retrieved 26 June 2018.
^SCARFACE MOB, The
Monthly Film Bulletin; London Vol. 27, Iss. 312, (Jan 1, 1960): 39.
^THE TV SCENE---: It Takes Blood, Sweat and Beer
Smith, Cecil. Los Angeles Times 20 Apr 1959: A12.
^Two-Part Study of Al Capone Begins
Shepard, Richard F. New York Times 21 Apr 1959: 7
^THE TV SCENE---: Capone Story Has Ring of History
Smith, Cecil. Los Angeles Times 27 Apr 1959: A10.
^TV: The End of Capone: Final Installment of Mobster's Story Presented on 'Desilu Playhouse'
By JACK GOULD. New York Times 28 Apr 1959: 71.
^Big Al Loses as Ness Bags Another Big Winner
Page, Don. Los Angeles Times 13 Jan 1961: A7.
^THE TV SCENE---: Hitler to Be Seen in a New Light
Smith, Cecil. Los Angeles Times 25 Feb 1960: A10.
^Smith, Cecil (21 Feb 1960). "THE TV SCENE---: Assassin's Attempt on F.D.R. to Be Re-lived Ironic Tale of Florida Shooting on Untouchables The Untouchables Will Re-Live Grim History". Los Angeles Times. p. J5.