The episode shows the beauty of Yosemite Valley and the geyser wonderland of Yellowstone. Additionally, it offers a lengthy discussion of how Yosemite and Yellowstone National Parks were created and shows how John Muir became their eloquent defender. Runtime: 115 minutes
This episode covers the creation of the National Park Service and the influence of its early leaders Stephen Mather and Horace M. Albright, and wealthy industrialists who Mather persuaded to help him champion the park system. Runtime: 112 minutes
4
"Going Home (1920–1933)"
September 30, 2009 (2009-09-30)
N/A
This episode focuses on the time when America embraced the automobile, setting off an explosion in the number of park visits. Also, the Rockefellers quietly buy up land in the Teton Mountain Range. Runtime: 116 minutes
5
"Great Nature (1933–1945)"
October 1, 2009 (2009-10-01)
N/A
This episode emphasizes the societal impacts of the park concept, including new environmental and naturalistic perspectives, employment opportunities, and application of the park idea to additional geographical locations. Runtime: 115 minutes
6
"The Morning of Creation (1946–1980)"
October 2, 2009 (2009-10-02)
N/A
This episode offers details about the ecological damage caused by 62 million visitors each year, the debates over the allocation of federal properties in Alaska, and the controversial decision to reintroduce wolves in Yellowstone which had been hunted to extinction in all other parks. Runtime: 115 minutes
Some foreign releases of the series – notably Australia – have separated it into 12 one-hour-long episodes.
The series was previewed in a seven-minute segment at the end of the fourth episode of Burns's 2007 PBS documentary, The War.[citation needed] The first two-hour episode premiered at the Hopkins Center for the Arts at Dartmouth College on April 17, 2009. Episodes debuted daily, airing from Sunday, September 27 to Friday, October 2, with full episodes online the following day.
Critical reception
The National Parks: America's Best Idea has received generally positive reviews from television critics. Mark Rahner of The Seattle Times wrote, "Stirring and sublime."[6]