The album was released the same year as their 2001 recording Tribute to Lester, but they were released on different labels. The album reunites Joseph Jarman with the rest of the AEOC after he "retired" in early 1990s after 23 years with the group in order to pursue a spiritual life, including running a Buddhistdojo in Brooklyn, New York. Reviews were mixed for the album, perhaps because, as National Public Radioreviewer Kevin Whitehead commented, "the ensemble is more of a business than a musical enterprise at this point."[1]
Reception
The album was met with mixed reviews. Allmusic's Thom Jurek awarded the album 4 stars, saying that ultimately, the album "is a glorious reunion album, one that delights as it provokes."[2] Others have commented that the return of Jarman solidifies that "the AEC is a band to contend with."[3] Jazz Word's Ken Waxman had other opinions, saying "the overriding feel of the session is so reductionist that the listener may feel as if he has wondered into a microtonal recital".[4] NPR's Whiteman said both albums have "more filler than cafeteriameatloaf."[1]
Most reviews comment that the absence of Lester Bowie is obvious.[2] Review John Chacona of One Final note comments that "there were moments where I expected to hear a "blat" delivered with his perfect comic timing."[3]The Penguin Guide to Jazz also mentions "an eerie moment" when "somebody plays something which sounds uncannily like a Lester Bowie break."[5] All About Jazz reviewer Mark Corrotto says that Jarman's return "doesn't substitute for Bowie's absence, it merely aims the music in different directions"[6] even though NPR's Whiteman says Jarman's return "makes the band seem like the real deal."[1]
