Faro Fan inherits a saloon and gambling hall in Red Butte and runs it with such wholesomeness that she has a positive influence on the peaceful town. Fan also devotes her time to the care of a group of orphans she has adopted.[2][3] Everything is peace and harmony when an evangelist, Webster Smith, arrives in Red Butte. "Fanatically devout, crack-brained and believing every word of his intolerant dogma, he calls forth a curse on the gambling house and all who are in it."[3] A fever strikes the town's inhabitants, and Smith takes credit for it. Smith then prays for a fire to cleanse the town and destroy every building except the church as a sign of his wrath and mercy. A fire does sweep through the town, but it destroys Webster's church and every other building in Red Butte except Faro Fan's saloon.[4] The salvation of the gambling house sends the religious fanatic into a rage, and he attacks the Lady of Red Butte. She hits him on the head, and his sanity is restored. He then becomes the personification of love and kindliness and later wins the Lady's heart.[5]
Production
For the scene showing the destruction of Red Butte, an entire western street was built of solid lumber and then burned to the ground at a cost of several thousand dollars.[6] The village was two blocks long with buildings on both sides of the street. It was built at Inceville on a high elevation far from all other buildings so the flames would not spread to other property.[6] The Santa Monica Fire Department and one chemical wagon from Los Angeles Fire Department were on hand to prevent the flames spreading to the shrubbery and timber on the mountains.[6] When Thomas H. Ince gave the word, the fire was ignited, and the flames were "fanned into a fury by three huge wind machines."[6] Between the walls of roaring flames, Dorothy Dalton, Thomas Holding and the two hundred players acted several dramatic scenes, as seven cameras shot the action under the direction of Victor L. Schertzinger and the supervision of Ince.
According to the critic for the Waterloo Times, Sullivan's screenplay "is filled with situations of an unusual character."[4] The reviewer for the Lethbridge Herald noted, "A remarkable cast was chosen by Thomas H. Ince for the presentation of C. Gardner Sullivan's latest photoplay The Lady of Red Butte."[7] Focusing on Dalton's performance, another reviewer wrote: "Dorothy Dalton comes back in the style of role which made her famous early in her screen career, that of a western girl untutored to a large extent, living amid rugged surroundings, but developing a finesse in her inner nature that renders her entirely lovable despite her somewhat uncouth exterior."[2]
^ ab"The Lady of Red Butte At the Palace Today". Waterloo Times-Tribune. July 8, 1919.
^ ab"Dorothy Dalton in The Lady of Red Butte Begins Today". Winnipeg Free Press. October 23, 1919.
^ ab"The Lady of Red Butte". The Waterloo Times. July 6, 1919.
^"The Lady of Red Butte". Des Moines Daily News. June 15, 1919.
^ abcd"Spectacular Fire Scene in Dorthy Dalton's New Film: Entire Village Erected Only to be Burned to Ground in The Lady of Red Butte". North Adams Transcript. August 9, 1919.
^"Remarkable Cast in The Lady of Red Butte". Lethbridge Herald. March 16, 1920.
