The Girl of the Northern Woods is a 1910 American silent short drama produced by the Thanhouser Company. The film is a drama that follows Lucy Dane and Will Harding and a jealous halfbreed trapper named José. Considering Will his rival, José attempts to ambush Will, but instead shoots Will's assistant. José then blames Will for the deed and Will is bound by a lynch mob and set to be executed. Lucy frees Will and sends the lynch mob away, but José encounters Will and the two fight. José is wounded and falls over a cliff, but Will is recaptured by the mob. From the bottom of the cliff, José calls out for help and Lucy responds to him. José confesses his crime to Lucy and she rushes to Will and prevents his execution. The film was directed by Barry O'Neil and was released on June 3, 1910. An incomplete print of the film survives in the Library of Congress after its rediscovery in 1978 as part of the Dawson Film Find.
The original synopsis of the film was published in The Moving Picture World, it states: "This picture tells the story of Lucy Dane, a Canadian lumberman's daughter, and of Will Harding's love for her. Will is a worthy young surveyor and Lucy feels honored to have his love, and returns it. José, halfbreed trapper, adores Lucy and necessarily dislikes Will, whom he correctly counts his successful rival. More, he bears Will a grudge for responding to Lucy's cries for help when he forced his attentions on her in the lonely neck of the woods. His chance to even matters with Will come shortly when he fastens on the surveyor's responsibility for the shooting of the latter's assistant, of which the halfbreed is himself guilty, having shot the assistant from ambush in mistake for Will. José claims he witnessed Will's alleged deed and his falsehoods are believed by the lumbermen. Rarely are the courts resorted to in that portion of the North where these events transpired and the rough lumbermen quickly decide to lynch Will. Lucy hears of the fate intended for her sweetheart and cuts his bonds. Further, she sends the lumbermen off in the wrong direction when they set out to recapture Will. The fugitive is spied by the halfbreed, who steals up from behind and attempts to knife him. The surveyor turns just in time, and in the ensuing struggle the halfbreed is wounded and falls over a precipice. At this juncture Will is retaken by the lumbermen."[1]
"They are leading him to his execution, when the faithful Lucy encounters her sweetheart and whispers: 'Ask for a drink at the brook!' Will follows her suggestion, and on stooping to drink finds a revolver which Lucy has placed there for his use. But he is overpowered when he attempts to use the gun and despite Lucy's effort seems doomed to die. José, the guilty halfbreed, dying at the bottom of the precipice, calls for help. His cries are heard by Lucy, who responds and finds José expiring and repentant. He wishes to clear his conscious before facing his Maker and tells Lucy that he shot Will's assistant. He puts his confession in writing and, relieved, passes peacefully away. In the meantime the lumbermen have completed the preparations that will make an innocent man pay the penalty of another man's crime. Already the noose is about Will's neck and a death prayer on his lips and then, in the nick of time, Lucy arrives with the precious confession, and Will gathers his faithful sweetheart to him in the tenderest scene that has ever closed a thrilling picture."[1]
The film was directed by Barry O'Neil, the stage name of Thomas J. McCarthy, who would direct many important Thanhouser pictures, including its first two-reeler, Romeo and Juliet.[2] The writer of the scenario is unknown, but it is presumably Lloyd Lonergan. Lonergan was an experienced newspaperman still employed by The New York Evening World while writing scripts for the Thanhouser productions. He was the most important script writer for Thanhouser, averaging 200 scripts a year from 1910 to 1915.[3] Edwin Thanhouser would later recall that this production featured a minor part of a woodsman who ended up ruining the scene through excessive smoking. He described the young actor trying to focus attention on himself by smoking "like the consolidation of seven chimneys", but ended up obscuring the action of the scene.[4] The two known credits in the film are for the leading players, Anna Rosemond and Frank H. Crane. Rosemond was one of two leading ladies for the first year of the company.[5] Crane was also involved in the very beginnings of the Thanhouser Company and acted in numerous productions before becoming a director at Thanhouser.[6]
According to an article in the New Rochelle Pioneer the film was produced in New Rochelle and according to a news release the film was shot in the mountains during real blizzard weather.[1] Bowers believes this film was shot during the winter and kept for its later June release.[1] The winter of 1909 through 1910 contained two notable snow events that might have possibly been used in the production. A major snow storm from December 25 to December 26, 1909, would make its way through New York City with snow total of about 10 inches and wind gusts up to 58 mph. A second major snow event occurred three weeks later, on January 14 through 15, 1910, with New York City getting 15 inches of snow.[7] Another lesser snow event, deemed a blizzard in the press, was recorded in early February.[8]
The one reel drama, approximately 935 feet, was released on June 3, 1910.[1] The film was originally set to be the first release distributed through the Motion Picture Distribution and Sales Company, but a dispute with Carl Laemmle pushed the date back more than a month.[4] The film was reviewed positively in The Moving Picture World for the real snow and weather and for being a high-class drama.[1] A shorter modern synopsis from the incomplete surviving print from the Library of Congress indicates that the film is lost after the halfbreed falls from the precipice.[1] The film was released nationwide and theater advertisements for the film are known in Kansas,[9][10] Indiana,[11] Oklahoma,[12] Pennsylvania,[13] and Arizona.[14]
The survival and rediscovery of this film was by happenstance in the Canadian gold rush town of Dawson City, in Yukon, Canada. Beginning in 1903, the Dawson Amateur Athletic Association began showing films and the unreturned films were deposited in the Canadian Bank of Commerce and stored in the Carnegie library's basement. The Dawson Amateur Athletic Association later converted a pool to an ice rink, but because of improper conversion the ice rink suffered from uneven temperatures in the middle of the rink. In 1929, Clifford Thomson, then-employed by the Canadian Bank of Commerce and also treasurer of the hockey association, solved the problem of the library's stock of film and the inadequate ice rink. Thomson took 500,000 feet of film and stacked the reels in the pool, covered the reels with boards and leveled the rink with a layer of earth. Dawson Amateur Athletic Association continued to receive new nitrate films which would later fuel the destruction of the entire complex in a fire in 1951. The films stored under the ice rink were preserved and uncovered in 1978 when a new recreation center was being built. The Dawson Film Find material was collected and preserved, with these prints becoming the last surviving records of these studios.[15] The surviving and incomplete print of The Girl of the Northern Woods was one of the films recovered at Dawson City.[16]
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