The Dreamers (French: Innocents: The Dreamers) is a 2003 erotic[3][4]romantic drama film directed by Bernardo Bertolucci from a screenplay by Gilbert Adair, based on Adair's 1988 novel The Holy Innocents. An international co-production by companies from France, Italy and the United Kingdom, the film tells the story of an American university student in Paris who, after meeting a peculiar brother and sister who are fellow film enthusiasts, becomes entangled in an erotic triangle. It is set against the backdrop of the 1968 Paris student riots. The film makes several references to various movies of classical and French New Wave cinema, incorporating clips from films that are often imitated by the actors in particular scenes.
There are two versions: an uncut NC-17-rated version, and an R-rated version that is about three minutes shorter.
In 1968, Matthew is a shy American exchange student who has come to Paris for a year to study French. While at the Cinémathèque Française protesting the firing of its director, Henri Langlois, he meets free-spirited twins Théo and Isabelle, the children of a famous French poet and his English wife. The three bond over a shared love of film. After dinner with their parents, Théo and Isabelle invite Matthew to stay with them while their parents leave town for a month. Matthew accepts, considering them his first French friends.
Matthew becomes suspicious of Théo and Isabelle's relationship after seeing them sleeping nude together; he soon discovers that they have a liberal attitude towards nudity and sexuality. Matthew gradually accepts the twins' unusual relationship and comes to enjoy his time living with them. The three re-enact a memorable scene from Bande à part by "breaking the world record for running through the Louvre", and Matthew and Théo engage in playful arguments about Charlie Chaplin and Buster Keaton, Eric Clapton and Jimi Hendrix, as well as the subject of Maoism, which Théo fervently believes in.
After Théo loses at a trivia game, Isabelle sentences him to masturbate to a Marlene Dietrich poster in front of them. After Matthew loses at another game, he is dared by Théo to take Isabelle's virginity in front of him. As Matthew and Isabelle fall in love with each other, he asks her what she would do if her parents discovered the nature of her relationship with Théo; she replies that she would kill herself.
Matthew begins to pursue a relationship with Isabelle, separate from Théo. Matthew and Isabelle leave the apartment and go on a regular date, which she has never experienced before. Théo retaliates by inviting a companion up to his room, upsetting Isabelle. She distances herself from both Théo and Matthew, only to find them next to each other on Théo's bed when an argument between the two turns erotic. She then surprises them with a makeshift bedsheet fort and the three fall asleep in each other's arms.
The next morning, Théo and Isabelle's parents arrive home and find the sleeping trio naked in bed together. They are startled by what they find, but let them be, departing after leaving a cheque. Isabelle wakes up and discovers the cheque, realising that their parents have found them out. Wordlessly, she attaches a hose to the gas outlet and lies back down with the still-asleep Théo and Matthew, attempting to commit murder–suicide. Shortly afterwards, however, they are awakened by a brick being hurled through the window; they discover hundreds of students rioting in the streets.
All three of them are overjoyed and proceed to join the protesters. Théo then joins a small team of protesters preparing Molotov cocktails. Matthew tries to stop Théo by kissing him and Isabelle, arguing against violence, but he is shunned by both siblings. As Matthew walks away through the chaos, Théo takes Isabelle's hand and hurls a Molotov cocktail at a line of police. The police charge the crowd.
The first draft of the screenplay was an adaptation by Gilbert Adair of his own novel, The Holy Innocents (1988), inspired by the novel Les Enfants terribles (1929) by Jean Cocteau and the eponymous film directed by Jean-Pierre Melville in 1950. During pre-production, Bertolucci made changes to it: he "peppered the narrative with clips from the films he loves" and dropped homosexual content – including scenes from the novel that depict Matthew and Théo having sex – which he felt was "just too much." After the film was released, he said that it was "faithful to the spirit of the book but not the letter."[7]
Eva Green told The Guardian that her agent and her parents begged her not to take the role of Isabelle, concerned that the film – which features full frontal nudity and full rear nudity along with graphic sex scenes – would cause her career to "have the same destiny as Maria Schneider."[7]Jake Gyllenhaal screen tested for the role of Matthew alongside Green, but eventually withdrew himself from consideration due to concerns about the film's nudity.[8]Michael Pitt was cast instead.
When Green saw a rough cut of the film, she said she was "quite shocked" and had to look away during the sex scenes; she later told an interviewer that for her, "it was as though I was wearing a costume while we were making the film. It was as if I had another story in my mind. So I was left speechless."[7]
Rating
Fox Searchlight Pictures gave the uncut version a limited theatrical release in the United States in 2004; it played in 116 theaters at its peak.[9] In the United States, the film was released theatrically with an NC-17 rating,[9] whereas in Italy it was rated VM14. Even with its NC-17 rating, it grossed $2.5 million in its United States theatrical release.[10]
Reception
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 60% based on 163 reviews, with an average rating of 6.2/10. The website's critics consensus reads, "Though lushly atmospheric, The Dreamers doesn't engage or provoke as much as it should."[11]Metacritic, which uses a weighted average, assigned the film a score of 63 out of 100, based on 40 critics, indicating "generally favorable" reviews.[12]
A.O. Scott of The New York Times said the film was "disarmingly sweet and completely enchanting" and described it as "fus[ing] sexual discovery with political tumult by means of a heady, heedless romanticism that nearly obscures the film's patient, skeptical intelligence."[13]The Times called it a "heady blend of Last Tango and Stealing Beauty, but one that combines the grubbily voyeuristic elements of each film rather than their relative strengths."[14]Roger Ebert gave the film four stars, his highest rating, describing the film as "poignant" and "extraordinarily beautiful".[15]
Music and soundtrack
The music advisors were Julien Civange and Charles Henri de Pierrefeu. Janice Ginsberg is credited as music supervisor and Nick Laird-Clowes as music consultant. The soundtrack was released in February 2004; AllMusic gave it three out of five, noting that "while its juxtapositions of French tradition and counterculture are jarring at times, Dreamers still does a worthy job of capturing the film's personal and political revolutions through music."[16]
The Dreamers was released on DVD in 2004. It includes a BBC film directed by David M. Thompson, Bertolucci Makes The Dreamers, narrated by Zoë Wanamaker, and a documentary Outside the Window: Events in France, May 1968 with contributions from Robin Blackburn, Adair, and Bertolucci. Bertolucci says that 1968 was about cinema, politics, music, journalism, sex and philosophy dreaming together.
