The Daphenphoria was a triumphal procession held every ninth year at Thebes in honour of Apollo, to whom the laurel was sacred, and to commemorate also a victory of the Thebans over the Aeolians of Arne.[1][2]
History
In the Academy exhibition of 1876, with The Daphnephoria, Leighton once more chose a classic theme, for a painting which, by its composition, reminded the critics and lovers of art of the artist's early success with the Cimabue's Madonna, and of his other large processional picture, the Syracusan Bride.[3] The work was painted for Stewart Hodgson. He paid £1,500 for it, and Leighton gave him all the studies he made for it.[4] It was later acquired by Lord Leverhulme, and was transferred from his private collection to the Lady Lever Art Gallery in 1922.
Description
The Daphnephoria is a composition of thirty-six figures.[1]
Reception
Much was said for and also against the artist and his art.[5] The Art Journal, however, was favourable.[6] Later Victorian assessments were generally positive, and Sir W. B. Richmond was even enthusiastic.[7] Edgcumbe Staley considered this to be Leighton's "great masterpiece".[8]
Gallery
The standard-bearer (right) and the Daphnephoros (left)
Three youths bearing armour (right) and the Choragos (left)
Three rows of maidens (detail)
Five boys with tripods (background) and two girls drawing water from a well (foreground)
Ash, Russell (1995). Lord Leighton. London: Pavilion Books Limited. pp. 13, 25, 37, 49, plate 17.
Barrington, Russell (1906). The Life, Letters and Work of Frederic Baron Leighton of Stretton. Vol. 2. London: George Allen, Ruskin House. pp. 29–30, 195–197, 199.
Jones, Stephen, et al. (1996). Frederic Leighton, 1830–1896. Royal Academy of Arts, London: Harry N. Abrams, Inc. pp. 36–37, 52, 66–67, 82, 84, 88, 95, 107, 146, 176, 177, 180, 182, 194–195, 201, 202, 204, 216, 240. fig. 19, 35, cat. 71.
This article incorporates text from this source, which is in the public domain: Staley, Edgcumbe (1906). Lord Leighton of Stretton. London: The Walter Scott Publishing Co., Ltd.; New York: Charles Scribner's Sons. pp. 71, 98–106, 121, 230, 254.