During his vacation tour on Izu peninsula, Tokyo student Mizuhara befriends a group of local travelling musicians led by Eikichi. Eikichi lost the family's inheritance, a gold mine, due to his carelessness, which he had to sell for a low price to its new owner Zenbei. While staying in their hometown where they have an engagement, Eikichi's sister Kaoru falls in love with Mizuhara. Instigated by the mine's former engineer Kubota, Eikichi demands what he considers his fair share from Zenbei, but Zenbei replies that he will only give Eikichi money if he sells his sister Kaoru to him. Mizuhara confronts Zenbei, who also happens to be the father of his fellow student Ryūichi, with what he considers an insolent proposal. As it turns out, Zenbei, who was a friend of Eikichi's and Kaoru's father, wants to spare Kaoru the fate of living the life of a travelling musician. Unbeknownst to Kaoru and her brother, Zenbei secretly opened a bank account in her name and hopes to marry her to his son Ryūichi one day. Mizuhara and Kaoru part in tears upon his return to Tokyo, and before entering the boat which will take him home, he advises her to seek happiness in a stable life as Ryūichi's wife.
The Dancing Girl of Izu is not only the first, but, according to Gosho biographer Arthur Nolletti, also regarded the best of the many adaptations of Kawabata's story, and an important example of films connected to the junbungaku ("pure literature") movement, which favoured "serious" literature in opposition to "popular" literature.[3] Gosho and his screenwriter Fushimi added a subplot and obscured the class differences between the characters, instead aiming at a nostalgic depiction of the country "untainted by modernization" (Mitsuyo Wada-Marciano).[4]
References
^ abc"恋の花咲く 伊豆の踊子". Japanese Movie Database (in Japanese). Retrieved 19 January 2021.
^ ab"恋の花咲く 伊豆の踊子". National Film Archive of Japan (in Japanese). Retrieved 27 August 2023.
^ abcNolletti Jr., Arthur (2008). "Dancing Girl of Izu (1933) and the Jungunbaku movement". The Cinema of Gosho Heinosuke: Laughter through Tears. Bloomington: Indiana University Press. ISBN978-0-253-34484-7.
^Wada-Marciano, Mitsuyo (2008). Nippon Modern: Japanese Cinema of the 1920s And 1930s. Honolulu: University of Hawaii Press. ISBN978-0-8248-3182-0.