The film was made by a partnership of six people, none of whom took payment: Clive Donner, Donald Pleasence, Alan Bates, Robert Shaw, Harold Pinter and Michael Birkett.[4]
Composer Ron Grainer was tasked to produce not a score but a sequence of sound effects, often metallic in nature, but which also include the sound of a drip which occasionally falls from the attic ceiling and a squeak as Aston uses a screwdriver. Grainer used his previous experiences working with the BBC Radiophonic Workshop in the creation of the sound picture.[6]
Release
The film was unable to obtain a release in London until it first screened in New York.[1]
Reception
The Monthly Film Bulletin wrote: "With a screenplay by Pinter himself, and with two of the original cast repeating their stage performances on the screen, this is a very commendable example of the filmed play – worth making for the sake of bringing the authentic flavour of the original to a wider audience, and worth seeing if you missed it on the stage. Donald Pleasence's singularly vile tramp and Alan Bates's eccentric joker certainly deserve to be preserved on film, and Robert Shaw, playing the brain-washed philanthropist with hypnotic distinction, gives a performance no less wonderfully right. Between them, in fact, these three bring out all that seems to matter; it is always what they say and the way they say it that holds one in thrall."[7]
According to Janet Moat, "the film is striking. Donner deploys a non-musical soundtrack, close-ups and two-shots to unsettling and menacing effect."[5]
References
^ abcAlexander Walker, Hollywood, England, Stein and Day, 1974 p250
^"The Caretaker". British Film Institute Collections Search. Retrieved 10 February 2024.