Nils Ericson gets off a train in his hometown. He gets a ride in a carriage to his family home, where his mother greets him after many years apart. He goes for a walk with his little brother, Eric. The next day, the two brothers talk about Lou Sandberg's suicide - Nils dismisses the old man for his folly.
Nils visits Clara, who asks him if he has the second will his father wrote that bequeathed him some land. His mother drives him home and expresses her disapproval of Clara's father, Joe, for being a saloon-keeper. Later, Clara meets Nils outside the saloon. He tells her he came back to see her because he loves her. She gallops off. Some time later, her father invites her and Nils along for wine and music.
Later, at the Ericsons's barnraising, Nils follows Clara down to the cellar, then dances with her and says they should run away together. On her way back home from her father's one night, the two lovers run away.
A year after the couple's departure, Eric is on a train bound for New York City where he is to board a ship to join his brother and Clara in Bergen, Norway. Nils has been corresponding with Clara's father, Joe. However, Eric decides to stop at Red Oak, Iowa and return home to his mother, as he doesn't want to leave her alone in the house. Once he is back, she says she has been milking the cows instead of asking a local boy to do the job for her: she did not want people to talk. Mother and son are happily reunited.
Characters
Nils Ericson
The agent at the train station
A driver in a carriage
Preacher Ericson, Nils' late father
Lady Ericson, Nil's mother
Olaf Ericson, Cousin Henrick's son's guardian. He farms his land and 'puts the proceeds out at compound interest for them'.
Mrs Otto
Hilda
Eric, Nils' little brother
Cousin Henrick
Peter
Anders
Lou Sandberg, a local who committed suicide
Clara Olaf, Olaf's wife. Her maiden name is Vavrika. She doesn't get out of bed until 8 a.m., which is considered late in this community.
It has been suggested that the story was influenced by Gustave Flaubert's Madame Bovary, as the barn-raising bears similarities to the wedding scene in Flaubert's novel[4]
References
^Willa Cather's Collected Short Fiction, University of Nebraska Press; Rev Ed edition, 1 Nov 1970, 'Introduction' by Mildred R. Bennett, page xxiv
^Willa Cather's Collected Short Fiction, University of Nebraska Press; Rev Ed edition, 1 Nov 1970, page 77
^Giannone, Richard, Music in Willa Cather's Fiction, Lincoln: University of Nebraska Press, 1968, pp. 55-56
^Brown, E.K., Willa Cather: A Critical Biography, New York: Knopf, 1953, p. 164