1791–1794: building by Francescal on plans by Alexandre-Théodore Brongniart; inauguration on 16 August; known as the Théâtre de Louvois or Théâtre de la rue de Louvois up to January 1794, under the direction of Michel-André Delomel[3]
1794–1796: known as the Théâtre des Amis de la Patrie from 13 January 1794 to December 1796[4]
1796: direction Mlle Raucourt, as the Théâtre Français de la rue de Louvois' from 25 December 1796 to 10 September 1797[3]
1798: direction César Ribié, as the Théâtre d'Émulation from 17 April to 31 December[3]
1799–1801: known as the Théâtre des Troubadours from 1 August 1799 – 20 April 1801[6]
1801–1808: used again from 5 May 1801 – 12 June 1808 by the players of the Théâtre de l'Odéon[7] under Picard, then Alexandre Duval
1804: becomes known as the Théâtre de l'Impératrice until June 1808, when the players returned to the new Odéon, taking the name with them[8]
1807: acquired in December by the state for use by the Paris Opéra as rehearsal space and for concerts, including some by the Concerts Spirituels[9]
1808: closed by order of Napoléon, it then served as a storage room for the Opéra, at that time performing in the Théâtre des Arts located just across the rue de Louvois from the Salle Louvois; communication between the two buildings was via an iron bridge over the rue de Louvois
1811–1812: an annex was constructed for the storage of scenery[9]
1821: after the closing of the Salle Favart, the theatre was used as an opera house by the Opéra, while the company was awaiting the completion of the Salle Le Peletier.[11] The company gave a concert on 25 May and performed operas on 1 and 15 June. Both opera performances included Rousseau's Le devin du village, and the second also featured the premiere of Adalbert Gyrowetz's divertissementLa fête hongroise.[12]
1825: closing of the theatre
1827: order issued to remove all stored scenery for the sale of the theatre[13]
^Nicole Wild cites Archives nationales, O3 1620; also a letter of 13 December 1827 from La Ferté to La Rochefoucauld states that the theatre will be sold for demolition (Wild 1989, p. 232).
Bibliography
Donnet, Alexis; Orgiazzi, J. (1821). Architectonographie des théâtres de Paris, plates volume, plate 12. Paris: Didot l'ainé. Scanned by Google Books. Credit: Princeton University Library.
Lasalle, Albert de (1875). Les Treize Salles de l'Opéra, librairie Sartorius, 1875 (chapter X: Salle Favart (1820), p. 234)
Pitou, Spire (1983). The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers, and Performers. Genesis and Glory, 1671–1715. Westport, Connecticut: Greenwood Press. ISBN9780313214202