Tim Ashley of The Guardian gave Téenek a positive review, remarking, "Ortiz self-consciously celebrates ideas of diversity and difference within a global unity, while her style, all asymmetric rhythms and angular melodies, takes The Rite of Spring as its point of departure."[3] The music critic Colin Anderson similarly described the piece as "exuberant, vibrant and filmic, with plenty of incident, if nicely varied in mood and scoring to avoid sameness, although ultimately it's a carnival of colour contrasted, midpoint, with soulful solos for numerous instruments heard against an ethereal background, and then careering to the finishing post with force and growing loudness." He added, "Enjoyable if perhaps not much to go back for."[4] However, in a more lukewarm review, Richard Morrison of The Times described the piece as merely "well-meaning."[5]